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Shabnam Virmani is the founder of the Kabir Project, which consists of a series of ongoing journeys inquiring into the spiritual, cultural, and socio-political resonances of the 15th century mystic and poet Kabir. Housed at the Srishti Institute of Art, Design and Technology (Bengaluru),
Ms. Anu Aga emanates the serenity of one who has successfully steered her life out of turbulence and is at peace with the cards that life dealt her, and the choices she has made along the way. Her petite frame however, is monumentally deceptive for she is a colossal force to reckon with.
Tall, trim and relaxed in any environment, Yaron Barzilay smiles easily, but weighs his words very carefully. Understated and well-read, he punctuates his conversations unexpectedly, with an incisive colloquial humor that betrays his acute sense of the current socio-economic and political climate, and his capacious grasp of India’s history and mythology.
Professionally, Yaron Barzilay is the Managing Director of IDEX India – a leading diamond trading platform for professional diamond traders worldwide.
Adam Williamson is an award-winning calligrapher and sculptor whose permanent public works can be viewed around the U.K. He is drawn to particular shapes and patterns that embody universal principles found in nature, made visible through the hands of craftsmen. Adam has been commissioned by many prestigious clients including Oxford University, Shakespeare’s Globe London, Westminster Abbey, to name just a few, and has given numerous public lectures and workshops at leading cultural institutions all over the world.
Amish Tripathi is the prolific author of the hugely successful Shiva Trilogy, the Ramachandra series and a nonfiction book Immortal India. His work has been recognized by numerous literary awards, and publishing benchmarks; the Shiva Trilogy is the highest selling book series in Indian publishing history. Amish, who goes by his first name only, seeks to be judged by his own karma, rather than that of his antecedents.
His books are steeped in familiar mythology, replete with symbolism, but with an emphasis on philosophy and a message that is surprisingly modern and liberal in its attitude towards gender, equality, and socio-politics.
“When the soul hears music, it drops its best guard.” – Socrates
Music is perhaps the most philosophically puzzling of all the arts. Unlike painting or sculpture it does not culminate in a physical object. Unlike literature and drama, instrumental music has no semantic value. Yet every tune, melody, theme, raga or symphony is steeped in metaphysical meaning.
Music has a tremendous ability to evoke emotion – joy, sadness, exhilaration, reverence, courage, patriotism et al. Its power to heal has been irrefutably documented, and music can be one of the most effective entrance points to meditative and sacred experiences. Cicero claimed that music could return man to paradise lost and that it was a communion with Divine Truth.
New Acropolis Culture Circle recently interviewed Professor Thakur S Powdyel, Bhutan’s first democratically elected Minister of Education (2008-2013). An educator by choice, conviction and passion, he is respected for moving Bhutan towards fulfilling the country’s constitutional mandate for education. As a recipient of numerous international awards such as the Gusi Peace Prize and the Global Education Award,
Architect Parul Zaveri established Abhikram (Sanskrit: initiation) to explore design directions and processes that make built environments functionally, psychologically, environmentally and spiritually more contextual, more comfortable and more healthfully livable for all.
At a time when energy guzzling steel, cement and glass towers are making towering bar-graphs of our city skylines, Parul and her late partner Nimish Patel have been successfully re-establishing the use of traditional material, technologies and craftsmen, adapted to a contemporary context. The path has not been easy, but armed with a clear intention and an unwavering conviction that has seen them refuse projects when clients’ belief systems are not in consonance with their own, and courageously stipulating environmentally friendly materials and processes as a precondition, they have embarked on building a better world.
Ramaa Bharadvaj is a celebrated dancer, choreographer, storyteller, educator, writer and arts-curator. She has lived and worked in the US for 32 years, where she was the recipient of numerous prestigious awards for choreography, as well as for her exemplary contribution to the Arts in California. She has served on the boards of both state and national arts agencies and has been a visiting faculty member of various reputed universities, while her essays and cultural commentaries have been published by leading publications.
At 61, Pierre Poulain exudes an integral energy. His stance is erect, as if poised for action, his eyes curious and attentive, and his speech swift and voluble.
He describes himself as a Philosopher – Photographer, combining these two apparently unrelated disciplines seamlessly. He founded New Acropolis in Israel in 1986, and has taught philosophy ever since. Today, as Regional Director he oversees New Acropolis work through the Asia-Africa-Oceania areas, while also finding the enthusiasm and passion to exhibit his photography work, and is invited to present lectures all over the world.
Extracts from an evening hosted by New Acropolis Culture Circle. Philanthropy can be a bridge between the ideal of fraternity and its material manifestation. Imagining a better world, with a greater sense of fraternity is intuitively appealing to many. Yet, to make a personal sacrifice in order to create that better world, is the choice that we make less often than is needed.
In this light, it is relevant to ask – what drives one to share with that urgent sense of duty? Does one need money and power to be a philanthropist? What is the relationship between our choices and our identity?
For centuries art has been a natural means to express one’s inner journey – be it as a community or as an individual search. So has it been for Olivia Fraser, who has used her art to uplift, to produce wonder and beauty, and to find the ‘inner essence’ of things.
Olivia Fraser moved to India in 1989. Initially she was a travel painter before apprenticing with miniature and Pichwai artists from Jaipur, where she learnt their rich, rigorous and intricate tradition. The influence of Nathdwara Pichwai painting and early 19th century Jodhpuri painting,
New Acropolis invited educationist and environmentalist Sonam Wangchuk for a conversation about his work in Ladakh, to shed light on what drives his choices and actions. Sonam is the person that inspired the protagonist Phunsuk Wangdu in Chetan Bhagat’s, 3 Idiots. His life and work truly reflect that of a philosopher; someone driven by the needs of others, over his own.
What is the primary ethical obligation of the press? Is it not to seek the truth, actual facts, and to present it as objectively as possible? Yet, the facts alone are not the whole truth. Given the facts, there is a need to apprehend context, connect the dots, discern patterns, and collate them into statements of cause and effect using the highest standards of ethics. Can we ask this of journalists and newspapers? Must we not demand from them professional ethics, diligent verification of facts, training in methodology, and an unswerving loyalty to the truth?
During their grueling journey across the Himalayas, Tibetan refugees carried hundreds of manuscripts into India, often guarding them with their lives. Many of these precious texts were offered to His Holiness the Dalai Lama, who founded the Library of Tibetan Works and Archives in Dharamsala (India)