The Various Faces Of The Divine Feminine

“When the soul hears music, it drops its best guard.” – Socrates

Music is perhaps the most philosophically puzzling of all the arts. Unlike painting or sculpture it does not culminate in a physical object. Unlike literature and drama, instrumental music has no semantic value. Yet every tune, melody, theme, raga or symphony is steeped in metaphysical meaning.

Music has a tremendous ability to evoke emotion – joy, sadness, exhilaration, reverence, courage, patriotism et al. Its power to heal has been irrefutably documented, and music can be one of the most effective entrance points to meditative and sacred experiences. Cicero claimed that music could return man to paradise lost and that it was a communion with Divine Truth.

Different people may have different reasons for asking this question: some may want to know if they will meet up with their pet in the next world; others may be interested in the psychic powers of animals; others may be concerned at the inhumane way we treat animals nowadays; and others may wonder whether or not we should eat animals or become vegetarians.

At 61, Pierre Poulain exudes an integral energy. His stance is erect, as if poised for action, his eyes curious and attentive, and his speech swift and voluble.

He describes himself as a Philosopher – Photographer, combining these two apparently unrelated disciplines seamlessly. He founded New Acropolis in Israel in 1986, and has taught philosophy ever since. Today, as Regional Director he oversees New Acropolis work through the Asia-Africa-Oceania areas, while also finding the enthusiasm and passion to exhibit his photography work, and is invited to present lectures all over the world.

New Acropolis Culture Circle recently interviewed Professor Thakur S Powdyel, Bhutan’s first democratically elected Minister of Education (2008-2013). An educator by choice, conviction and passion, he is respected for moving Bhutan towards fulfilling the country’s constitutional mandate for education. As a recipient of numerous international awards such as the Gusi Peace Prize and the Global Education Award,

Philosophers and social scientists agree that human action can only be fully understood by relating it to the context in which it takes place. Nothing can be understood in isolation from its context, and nothing even exists without a context. It is always the context that gives meaning to what we think and do, and explains why we do what we do.

Adam Williamson is an award-winning calligrapher and sculptor whose permanent public works can be viewed around the U.K. He is drawn to particular shapes and patterns that embody universal principles found in nature, made visible through the hands of craftsmen. Adam has been commissioned by many prestigious clients including Oxford University, Shakespeare’s Globe London, Westminster Abbey, to name just a few, and has given numerous public lectures and workshops at leading cultural institutions all over the world.

Amid the ongoing international Mother Earth day celebrations this week, the New Acropolis Cultural Organisation of India on Sunday organised a panel on theme of ‘Learning From the Sacred Groves of India’, which saw the attendance of historians and environmentalists including author Dr. Nanditha Krishna and the director of New Acropolis India, Yaron Barzilay.

To share forward what we have received, humbly, to the best of our ability, as an example of someone who can grow, being less influenced by external expectations and more driven by an inner aspiration to know who we really are and what our purpose is, in life. Knowing that in this vast fabric of time and space, what I choose to do today, can have an impact on future generations – and is therefore, a great responsibility that I bear, to choose correctly for the beehive that sustains all of us.

During their grueling journey across the Himalayas, Tibetan refugees carried hundreds of manuscripts into India, often guarding them with their lives. Many of these precious texts were offered to His Holiness the Dalai Lama, who founded the Library of Tibetan Works and Archives in Dharamsala (India)

This is a write-up based on an event celebrating International Mother Earth Day held at New Acropolis, Colaba, Mumbai.

Ms. Anu Aga emanates the serenity of one who has successfully steered her life out of turbulence and is at peace with the cards that life dealt her, and the choices she has made along the way. Her petite frame however, is monumentally deceptive for she is a colossal force to reckon with.

Most scientists are convinced that living beings are a product of their genes and that we are predetermined by a genetic program inherited from our ancestors, condemned to suffer. The last 20 years of biological research have completely transformed this belief. They have shown that we can be proactive in our lives, transform ourselves, change our behaviors, and go beyond ourselves towards sometimes unsuspected horizons. The research of Dr. Bruce Lipton (1) has revealed that the environment in which the cellular membrane operates controls the behavior and physiology of the cell, activating and deactivating the genes. These discoveries are opposed to the opinion of established scientists who claim that life is controlled by the genes, highlighting epigenetic science as one of the most important fields of study today.

Tall, trim and relaxed in any environment, Yaron Barzilay smiles easily, but weighs his words very carefully. Understated and well-read, he punctuates his conversations unexpectedly, with an incisive colloquial humor that betrays his acute sense of the current socio-economic and political climate, and his capacious grasp of India’s history and mythology.

Professionally, Yaron Barzilay is the Managing Director of IDEX India – a leading diamond trading platform for professional diamond traders worldwide.

Ramaa Bharadvaj is a celebrated dancer, choreographer, storyteller, educator, writer and arts-curator. She has lived and worked in the US for 32 years, where she was the recipient of numerous prestigious awards for choreography, as well as for her exemplary contribution to the Arts in California. She has served on the boards of both state and national arts agencies and has been a visiting faculty member of various reputed universities, while her essays and cultural commentaries have been published by leading publications.

For centuries art has been a natural means to express one’s inner journey – be it as a community or as an individual search. So has it been for Olivia Fraser, who has used her art to uplift, to produce wonder and beauty, and to find the ‘inner essence’ of things.

Olivia Fraser moved to India in 1989. Initially she was a travel painter before apprenticing with miniature and Pichwai artists from Jaipur, where she learnt their rich, rigorous and intricate tradition. The influence of Nathdwara Pichwai painting and early 19th century Jodhpuri painting,