In Conversation with Geshe Lhakdor

Modern scientific research lends credence to the notion that our universe is an inter-dependant, profoundly unified system, infused with an immense amount of energy. Quantum physicists have proven that matter at a molecular level, far from being inert, is an active agent

In five years Tasneem Zakaria Mehta revitalized a decayed and dying museum, transforming it into a vital and accessible cultural focal point for Mumbai. As vice-chairman of the Indian National Trust for Art and Cultural Heritage (INTACH) and Honorary Director of the Dr. Bhau Daji Lad (BDL) Museum, Tasneem spearheaded the exhaustive research and the painstakingly detailed restoration of the museum’s architecture, its interiors and its exhibits. In recognition of her work, she earned the 2005 Unesco Heritage Asia Pacific award of Excellence for Conservation. At her home surrounded by art, sculptures and books that are her life-blood, Tasneem spoke to The Acropolitan about the importance of Art and the need to preserve our cultural heritage.

Adam Williamson is an award-winning calligrapher and sculptor whose permanent public works can be viewed around the U.K. He is drawn to particular shapes and patterns that embody universal principles found in nature, made visible through the hands of craftsmen. Adam has been commissioned by many prestigious clients including Oxford University, Shakespeare’s Globe London, Westminster Abbey, to name just a few, and has given numerous public lectures and workshops at leading cultural institutions all over the world.

Hans Dalal wears many hats: Wild Life Conservationist, Tiger Tracker, Forest Guard, Poacher Community Rehabilitator, Trekker, Sound Engineer…and he was born with cerebral palsy, a fact that he refers to easily and casually. His speech, though effort-full, is extremely articulate and expressive; his voice strong and passionate even as his tongue hesitates and elongates a word.

Ramaa Bharadvaj is a celebrated dancer, choreographer, storyteller, educator, writer and arts-curator. She has lived and worked in the US for 32 years, where she was the recipient of numerous prestigious awards for choreography, as well as for her exemplary contribution to the Arts in California. She has served on the boards of both state and national arts agencies and has been a visiting faculty member of various reputed universities, while her essays and cultural commentaries have been published by leading publications.

New Acropolis Culture Circle recently interviewed Professor Thakur S Powdyel, Bhutan’s first democratically elected Minister of Education (2008-2013). An educator by choice, conviction and passion, he is respected for moving Bhutan towards fulfilling the country’s constitutional mandate for education. As a recipient of numerous international awards such as the Gusi Peace Prize and the Global Education Award,

“When the soul hears music, it drops its best guard.” – Socrates

Music is perhaps the most philosophically puzzling of all the arts. Unlike painting or sculpture it does not culminate in a physical object. Unlike literature and drama, instrumental music has no semantic value. Yet every tune, melody, theme, raga or symphony is steeped in metaphysical meaning.

Music has a tremendous ability to evoke emotion – joy, sadness, exhilaration, reverence, courage, patriotism et al. Its power to heal has been irrefutably documented, and music can be one of the most effective entrance points to meditative and sacred experiences. Cicero claimed that music could return man to paradise lost and that it was a communion with Divine Truth.

New Acropolis invited educationist and environmentalist Sonam Wangchuk for a conversation about his work in Ladakh, to shed light on what drives his choices and actions. Sonam is the person that inspired the protagonist Phunsuk Wangdu in Chetan Bhagat’s, 3 Idiots. His life and work truly reflect that of a philosopher; someone driven by the needs of others, over his own.

As the architect of a non-violent civil disobedience movement that led to the independence of a nation, Mohandas Karamchand Gandhi has been hailed as a spirited activist, a courageous freedom fighter, and an astute politician. For his own deeply ascetic lifestyle, uncompromising ethical code, and strict adherence to human values, he won the veneration of masses, a devotion usually reserved for saints, indeed even the title of a Mahatma. His profound influence on world leaders like Nelson Mandela and Martin Luther King can be said to have changed the course of history.

What is the primary ethical obligation of the press? Is it not to seek the truth, actual facts, and to present it as objectively as possible? Yet, the facts alone are not the whole truth. Given the facts, there is a need to apprehend context, connect the dots, discern patterns, and collate them into statements of cause and effect using the highest standards of ethics. Can we ask this of journalists and newspapers? Must we not demand from them professional ethics, diligent verification of facts, training in methodology, and an unswerving loyalty to the truth?

Padmashri Shekhar Sen, accomplished actor, singer, lyricist, and music director, is perhaps most celebrated for his unique mono-act theatrical renditions, through which he brings to life master poet-philosophers Tulisdas, Kabir, Surdas, and Vivekananda. Last February, New Acropolis (Mumbai) had the privilege to host an evening performance of a medley of Shekhar ji’s moving works. Ever since, I have been longing for an opportunity to unravel the man behind the masks. Seated on the cozy sofa of his Versova home, over a hot cup of masala tea, the opportunity presented itself. Delightedly looking back at his visit to the Centre he shares, “Any place I go that I sense is truly spiritual is very special for me. In a place like New Acropolis, where so much good is fostered, I just hoped to absorb some profound inspiration, like baby Krishna steals away butter!” Our conversation naturally arrived at unraveling the true role of an artist in society, and Shekhar ji playfully wove poetry and rhyme into his evocative explanations.

Ms. Anu Aga emanates the serenity of one who has successfully steered her life out of turbulence and is at peace with the cards that life dealt her, and the choices she has made along the way. Her petite frame however, is monumentally deceptive for she is a colossal force to reckon with.

Miti Desai is the founder and creative head of Miti Design Lab. A designer and classical dancer, Miti teaches as a visiting faculty at the Srishti School of Art, Design & Technology (Bengaluru) and at Sophia Polytechnic (Mumbai), and has personally created and executed courses initiating children into Holistic Design, Aesthetics and Culture through the performing arts.

At 61, Pierre Poulain exudes an integral energy. His stance is erect, as if poised for action, his eyes curious and attentive, and his speech swift and voluble.

He describes himself as a Philosopher – Photographer, combining these two apparently unrelated disciplines seamlessly. He founded New Acropolis in Israel in 1986, and has taught philosophy ever since. Today, as Regional Director he oversees New Acropolis work through the Asia-Africa-Oceania areas, while also finding the enthusiasm and passion to exhibit his photography work, and is invited to present lectures all over the world.

Extracts from an evening hosted by New Acropolis Culture Circle. Philanthropy can be a bridge between the ideal of fraternity and its material manifestation. Imagining a better world, with a greater sense of fraternity is intuitively appealing to many. Yet, to make a personal sacrifice in order to create that better world, is the choice that we make less often than is needed.

In this light, it is relevant to ask – what drives one to share with that urgent sense of duty? Does one need money and power to be a philanthropist? What is the relationship between our choices and our identity?