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It is evident that beyond entertainment, theatre might also be a means to investigate the world in which we live, and what it means to be human. Recently, I had the opportunity to revisit Othello in which Shakespeare deals with an array of human experience that is always pertinent.
We tend to use the term ‘grappling’, at times, to describe a certain struggle to fight, control, or deal with conflicts and challenges in life. Interestingly, this is a technical word originally used in the martial art form of wrestling, which involves grappling holds, throws, takedowns, joint locks and pins.
There are many studies that show that involvement in the arts can lead to increased academic performance. Dance, drama, music, and the visual arts in the school curriculum enable children to develop self-confidence and self-understanding, problem solving skills, perseverance and discipline, focus and concentration, creativity, self-directed learning, collaboration…
Perhaps no other civilization captures the imagination of intellectuals and dilettantes alike, as does Ancient Egypt. Arguably one of the earliest, longest lasting and most influential civilizations of history, it is recognized for its stupendous artistic, scientific, social, and spiritual achievements. In this slim volume Livraga gives us a penetrating and reflective insight into Ancient Egypt, its highly developed culture, its enigmatic symbols and its sacred philosophy.
A traditional Japanese story speaks of a disciple who once asked his master how one could achieve enlightenment. The master suggested in a matter of fact manner, that he must do exactly the same thing he did every morning for the sun to rise. After much pondering, the confused disciple went back to his master to confess that in reality he did not do anything to help the sun to rise every day…
This article is based on an event by New Acropolis Culture Circle with Raghu Ananthanarayanan, who spoke on the Yoga Sutras by Patanjali. Raghu is a behavioural scientist, yoga teacher and author. He has dedicated his life to the study and application of yoga and Indic traditions to guide the inner transformation of individuals and shape leadership and culture building of organizations.
The conflict between doing what is true, good, right vs what is convenient, feels good and comfortable. The conflict of responding with kindness, compassion and empathy as against impatience, intolerance and anger. In general, in our daily choices, conflicts between our inner moral compass which is often subtle and not so easy to listen to, and the louder voices of our desires, attachments and habits that pull us in various directions, often clouding our judgement.
This article serves only as an introduction to the legendary origins, metaphysical purpose, and the traditional form used in the practice of Qawwali. It would be impossible to capture the cultural nuances, complex history, and social impact of the genre in this brief work, but I hope to share some principal themes that have emerged from my own amateur investigation, to help the reader embark on their own exploration of this magnificent Sufi practice.
In our perpetual pursuit of the perceived definition of success, our minds and bodies are incessantly engaged in surface level occupations; being ‘busy’ appears to be a natural choice to satiate our voracious material and intellectual needs. Nevertheless, somewhere a higher center within us remains starved and an intense yearning to unite with something larger than our individual selves is palpable. Despite material abundance, technological advance and unrestrained liberties, the overwhelming spiritual vacuum is incontrovertible. True, there are fleeting instances in which we do manage to establish an evanescent connection with the spiritual realm. However, the avenues to approach that elusive higher dimension, that lies deep within, in a more sustained manner appear abstract. To address this prevalent emptiness it is worthwhile for a seeker to explore the few unequivocal portals that facilitate such transitions.
Eight centuries ago a culture of mystical Islam suffused the lands extending from modern day Turkey (Anatolia) to modern day Afghanistan and Iran (Khorasan); it was called Sufi Islam. Etymologically, the word ‘Sufi’ is derived from the Arabic word safa, meaning purity. Mystics of the order created a path towards attaining self-knowledge and god-realisation in their desire to reunite themselves with God. This phenomenon was cradled and nourished by great intellectual, artistic and philosophical icons of the time; foremost among them was Jalaluddin Mohammed Rumi.
I plunged into the sport of Muay Thai as an adventure, to know and develop myself as an athlete, but little did I know that I would be learning much deeper lessons of life; in how to be an inner warrior.
Muay Thai (Thai boxing) is a martial art and combat sport known as the ‘Art of Eight Limbs’. It is characterized by the combined use of both the fists, elbows, knees, and shins. A popular international sport today, its history and origins date back to the ancient myth of the Ramayana…
History is an extraordinary showcase where different ideas have appeared and given rise to many different ways of life, like coloured crystals whose hues vary according to the light. Each age has its parameters, and human beings, on their endless path of searching, have been ruled by those models, which they have tried to follow and obey more than they would follow an idea from any other source. What is commonly accepted becomes like a law and, as time passes, some of the ideas that have been accepted become even more powerful than laws themselves.
Mumbai has been my home for the past 45 years and this article is about my experience of the city which has shaped me and made me into much of what I am today. I received my shiksha – educational qualifications here; it is my karma bhumi – where I first started earning my living and it is here that I embarked on the journey of my spiritual development.
Dance is a universal language that transcends geography and time; it is a means to express sentiments that cannot be captured in words. Although forms of dance differ across cultures, the aspiration of a true dancer always seems to remain the same – to assimilate and internalize principles of beauty, harmony and grace through movement and form, thereby escorting the audience to experience and discover these very same archetypes that lie latent within each individual.
A few years ago, I watched the documentary Babies by Thomas Balmes. It follows the first year of the lives of four babies from Mongolia, Japan, California and Namibia. The film does not contain any narration, it just lets the images speak for themselves, presenting the huge contrast that exists between these four cultures. It is amazing to see how, in just one year, these four babies had utterly different experiences of life on this planet, which would, no doubt, greatly influence the way they were going to understand the world and live in it.