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Extracts from an evening hosted by New Acropolis Culture Circle. Philanthropy can be a bridge between the ideal of fraternity and its material manifestation. Imagining a better world, with a greater sense of fraternity is intuitively appealing to many. Yet, to make a personal sacrifice in order to create that better world, is the choice that we make less often than is needed.
In this light, it is relevant to ask – what drives one to share with that urgent sense of duty? Does one need money and power to be a philanthropist? What is the relationship between our choices and our identity?
This article serves only as an introduction to the legendary origins, metaphysical purpose, and the traditional form used in the practice of Qawwali. It would be impossible to capture the cultural nuances, complex history, and social impact of the genre in this brief work, but I hope to share some principal themes that have emerged from my own amateur investigation, to help the reader embark on their own exploration of this magnificent Sufi practice.
It is evident that beyond entertainment, theatre might also be a means to investigate the world in which we live, and what it means to be human. Recently, I had the opportunity to revisit Othello in which Shakespeare deals with an array of human experience that is always pertinent.
Today organizations are under more pressure to perform than they have perhaps ever been before. There are pressures from all stakeholders who incessantly demand increasing profitability every year, while at the same time they grapple with challenges of limited resources, ever changing laws and regulations, open market competition, and most importantly, factors of human resources. And yet, the amendment to the Companies Act in India in 2013 requires certain businesses to spend 2% of their average three year profits on social causes.
It is natural to wish to live a successful and meaningful life; to feel we managed to contribute, and make some difference, some impact on the world around us; to feel we fulfilled our life. To do so, it can be logical that one would seek to influence others, to be considered successful in their eyes, and someone worth learning from. It is certainly a means to impact others, to get positive attention. It could become a problem however, if we tend to mix means with aims, forgetting that one cannot replace the other. To be considered successful on the outer doesn’t stand for the quality of the inner and the actual.
For centuries art has been a natural means to express one’s inner journey – be it as a community or as an individual search. So has it been for Olivia Fraser, who has used her art to uplift, to produce wonder and beauty, and to find the ‘inner essence’ of things.
Olivia Fraser moved to India in 1989. Initially she was a travel painter before apprenticing with miniature and Pichwai artists from Jaipur, where she learnt their rich, rigorous and intricate tradition. The influence of Nathdwara Pichwai painting and early 19th century Jodhpuri painting,
A child’s journey to adulthood is often a mixed bag. It’s a time of learning and challenges. Skills and abilities are developed, as are likes and dislikes. He quickly learns the rules of the world that he lives in. And facing a new world for the first time, his simplest obstacles look like gigantic monsters. In these daunting encounters, heroes and their tales of magical and audacious adventures often play an important role. The “Super” men and women, become guardians, while dreams of magic lamps and genies make just about anything possible!
The universe is a place of balance…Yin and Yang, night and day, summer and winter, masculine and feminine. A balance achieved by complementarity – the equal and opposite effect of dualistic entities. Yin is as essential as Yang, just as night is as essential as day; each has its role and function in the service of life as a whole. So too, the feminine is as essential as the masculine.
When I was very young, I came across a book called The Prophet, by poet, painter, thinker, but perhaps above all, a philosopher, Kahlil Gibran. I clearly remember a sense of mystery; the existence of truths about myself, beyond the known. I did not know what I was searching for, but it awakened in me a desperate thirst to know myself. I had set off on a journey, and Kahlil Gibran’s works have been a shining light ever since. Gibran was born to humble beginnings in 19th century Lebanon, in a world torn by war.
As the Sun rises over the horizon and fills the sky with its magical light, a 2000 year old ritual is performed daily in the few remaining Zoroastrian temples of Mumbai. The priest performs a ceremony (5 times each day), tending to the flames of the consecrated fire, offering fragrant sandalwood and incense while reciting ancient texts venerating the holy fire, ringing a bell nine times, rejecting evil thoughts, evil words, and evil deeds. Such veneration of fire, however, is not distinct to the Zoroastrian community. Many cultures around the world have worshipped fire in different manners over millennia.
In recent months I have found myself walking between the light and darkness, on the seam line of the mysteries of life. People, both close and more distant, have passed away in circumstances that for some was a release from great suffering, while others caught me by surprise … And death, as always, is as real as life itself. It is hard to escape or hide from it. It knocks on your door and stands in front of you; steady, terminal and clear. And you can do nothing but deal with it.
In the journey of life as we grow in consciousness, we start to become aware of a certain truth that dawns on us as gently and as lovingly as the first rays of the rising Sun – that we are all ‘One Life’, deeply connected to each other in mystic and mysterious ways.
Human beings are often said to be rational creatures, but in reality we are very much emotional creatures as well. More often than not, history is a showcase of tragic actions taken by human beings overcome by their passions. And apart from these grand-scale dramas, our everyday life is full of instances where the right thing is sacrificed for the sake of the urge, the ego, the instinct.
In great theatrical tragedies, such as the Shakespearean King Lear or Romeo and Juliet, the passionate actions taken by the protagonists lead to an unfortunate chain of events of betrayal and death.
In 1991, Delia Steinberg took over the presidency of New Acropolis following the death of its founder, Jorge Angel Livraga Rizzi, under whose guidance she had worked very closely over a period of more than 20 years.
She is currently Honorary President of the International Organisation New Acropolis.
Under Delia’s leadership, New Acropolis has expanded across the five continents, bringing Philosophy in the Classical Tradition closer to a wide range of people. This development has been implemented through its philosophical, cultural and volunteering programmes, which have provided new approaches while at the same time going deeper into the identity of New Acropolis, as defined in its founding principles. Thousands of Acropolitan members, friends and supporters from all around the world are living proof that the philosophical answers New Acropolis offers in response to the complexities of our times are valid and necessary, since they are based on the values of timeless wisdom, which has enlightened humanity at its most difficult moments.
For New Acropolis members across the globe, every day in a way, is World Philosophy Day. Through history, classical traditions have employed philosophy as the central axis of education, recognizing the pivotal role of wisdom and ethics, in the formation of human civilization. Therefore, we mark the special opportunity of UNESCO’s annual endorsement of World Philosophy Day to further emphasize the value of Philosophy, as a practical tool by which to improve our lives.