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No one can ignore the fact that we are living in a world in crisis, a world of great changes on the ecological, social, economic and even cosmic levels.
On the ecological level, this can be seen in the excessive, irrational and selfish exploitation of the natural resources of our planet Earth.
Some of the factors of this ecological crisis are of great importance for our immediate future. For example, the global warming of the planet, due to an uncontrolled industrialization, with its consequences of the melting of the polar icecaps and the progressive and now unstoppable rise in sea levels; pollution by chemical and radioactive waste of land, water and the atmosphere; and genetic transmutations in many plant and animal species, to cope with the need to feed our overpopulated planet.
How would you define art? Usually, it is described as a form which is pleasing to the eyes. We call this form ‘beautiful’. Is beauty then related only to the sense of sight, motivated by the viewer’s feeling at the moment of viewing? Or is there such a thing as absolute Beauty, which is beyond subjective feelings of that moment, grasped by an inner sight, which remains beautiful, whether the viewer appreciates it or not; like a beautiful sunrise, or a lotus flower. Many religions speak of such Beauty as an eternal value, an archetype, one among many expressions of the principles of an objective unchanging reality, unbound by space and time, beyond the ever-changing subjective reality. If such absolute beauty exists, it becomes an aspect of reality, which unites despite differences in moods, fashion, culture, nationality, skin color, or gender.
It is said that the founder of Buddhism in Japan, the monk Mahakashyapa, received his illumination directly from Shakyamuni (Gautama Buddha), during what is known as the Silent Sermon or the Flower Sermon. Buddha held up a white flower to a crowd of assembled monks.
The question of free will is one of the oldest and most enduring questions facing humanity. The ancient Greeks considered it in their tragedies, such as Oedipus Rex, where it seemed as though the hero’s fate was predetermined in spite of any actions he might take to prevent or alter it. The Greeks and their cultural successors, the Romans, had an image of three Fates, who wove and spun the destinies of men, and cut the thread of their lives at a pre-ordained moment.
A few years ago, I watched the documentary Babies by Thomas Balmes. It follows the first year of the lives of four babies from Mongolia, Japan, California and Namibia. The film does not contain any narration, it just lets the images speak for themselves, presenting the huge contrast that exists between these four cultures. It is amazing to see how, in just one year, these four babies had utterly different experiences of life on this planet, which would, no doubt, greatly influence the way they were going to understand the world and live in it.
Extracts from an evening hosted by New Acropolis Culture Circle. Philanthropy can be a bridge between the ideal of fraternity and its material manifestation. Imagining a better world, with a greater sense of fraternity is intuitively appealing to many. Yet, to make a personal sacrifice in order to create that better world, is the choice that we make less often than is needed.
In this light, it is relevant to ask – what drives one to share with that urgent sense of duty? Does one need money and power to be a philanthropist? What is the relationship between our choices and our identity?
The following piece is my humble investigation into my fear of death; the fear of my own (impending) death and also the fear of the eventual death of a loved one. This journey began 8 years ago with my mother’s sudden death. It has been insightful that while processing my grief some years down the line, a psychotherapist helped me conclude, that the trauma resulting from a loved one’s death, can actually embed itself in hypochondriac behaviour.
Symbols hold a powerful attraction for people. Even today, in an age in which materialistic perspectives rule human thought, many ancient symbols such as the ankh, the yin/yang, American Indian designs, pyramids, and many other symbols are quite popular in jewelry and in the home. Why do symbols of the ancient civilizations continue to be an integral part our society, even to the point that corporations use them in commercials, movies, logos, in television documentaries, etc.?
Today organizations are under more pressure to perform than they have perhaps ever been before. There are pressures from all stakeholders who incessantly demand increasing profitability every year, while at the same time they grapple with challenges of limited resources, ever changing laws and regulations, open market competition, and most importantly, factors of human resources. And yet, the amendment to the Companies Act in India in 2013 requires certain businesses to spend 2% of their average three year profits on social causes.
The word “unify” comes from the Latin unus and facere, “to make one”, that is, to bring together various different parts that are coherent with another, and combine them in such a way that we can achieve a harmonious and homogeneous unity. It is an act of coming closer together, of connection, which, if it did not exist, would mean that each of the parts or beings would follow different paths – something which is not wrong in itself – but it would cause them to be divided, disunited and opposed to one another. Without the gesture of unification, we would have to live in perpetual chaos, in which it would be very difficult to find meaning in existence and its changing circumstances.
TOne of the platforms through which this unique concept of education was disseminated was through the ancient Indian Gurukul tradition. The term Gurukul comes from Guru, meaning teacher and kul, meaning extended family or home.
A Zen master asks his student, “Without thinking good or evil, in this very moment, What is your original Face?
…. Show me your Original Face, the face you had before your parents were born.”
“Quickly, quickly, without thinking right and wrong…”
(Before the engines of thought and feeling start revving, before you’re making judgements or starting to act out of some motivation like trying to win or to please)
“…before your parents were born” (before the whole mad story of You heaves into the picture, complete with family legacies handed down through the generations)
…what is your original face?” (Before all that, who are you truly?)
The universe is a place of balance…Yin and Yang, night and day, summer and winter, masculine and feminine. A balance achieved by complementarity – the equal and opposite effect of dualistic entities. Yin is as essential as Yang, just as night is as essential as day; each has its role and function in the service of life as a whole. So too, the feminine is as essential as the masculine.
It seems to me that the purpose of human life is to grow. When I look back at the moments or the phases through which I have grown, I see them as times that tested me to transcend what I felt were my limitations; be it starting my own business venture with a bagful of doubts about my capabilities, or be it a moment of extreme anger in which I consciously decided not to identify with the anger. These phases had a common factor that we call ‘challenges’. I feel that the universe has it made it so by design!
This article is based on an event by New Acropolis Culture Circle with Raghu Ananthanarayanan, who spoke on the Yoga Sutras by Patanjali. Raghu is a behavioural scientist, yoga teacher and author. He has dedicated his life to the study and application of yoga and Indic traditions to guide the inner transformation of individuals and shape leadership and culture building of organizations.