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This article serves only as an introduction to the legendary origins, metaphysical purpose, and the traditional form used in the practice of Qawwali. It would be impossible to capture the cultural nuances, complex history, and social impact of the genre in this brief work, but I hope to share some principal themes that have emerged from my own amateur investigation, to help the reader embark on their own exploration of this magnificent Sufi practice.
Hampi’s history melds so seamlessly into legend that it is difficult to establish where one ends and the other begins. This tiny hamlet lay nestled within the area known as Kishkinda which, according to the Hindu epic Ramayana, was the realm of the Monkey Gods. Following Ravan’s abduction of Sita, Ram and Lakshman arrived here, and were met by Hanuman and Sugriva. The cave where Sugriva hid the jewels that Sita dropped from Ravan’s flying chariot, the grotto that Ram and Lakshman took shelter in before raiding Lanka, and the birthplace of Hanuman, have over the centuries become sacred places of pilgrimage for devotees.
This story was created by the volunteers New Acropolis India as a part of our 16th anniversary celebration. It shows the idea that to build a better world, we need the courage to first imagine it, and then conviction and persistence to make it come true. We need to sow the seed, which we then need to nourish for it to grow and flourish.
Despite their universal existence in all civilizations and all times of history, myths have often been scoffed at and regarded as old wives tales. August Comte, the founder of positivism and sociology, relegated myths to the most early and primitive level of intellectual evolution and Lucien Lévy-Bruhl, a French philosopher, associated myth with pre-logical mentality common to the most primitive stages of mankind.
Om. The first sound of creation as per the Hindu tradition. That sound with which all ancient vedic prayers start and end, as if emulating the sacred process of creation through sound. The classical tradition of music in India therefore, has traditionally been treated as a sacred means to interact with the creative principle of Life; it has the potential to play the role of a bridge between the musician and the divine, the higher aspect of life. In that sense, the classical musician embarks upon a philosopher’s journey, seeking that connection with the source and destiny of all Life.
No one can ignore the fact that we are living in a world in crisis, a world of great changes on the ecological, social, economic and even cosmic levels.
On the ecological level, this can be seen in the excessive, irrational and selfish exploitation of the natural resources of our planet Earth.
Some of the factors of this ecological crisis are of great importance for our immediate future. For example, the global warming of the planet, due to an uncontrolled industrialization, with its consequences of the melting of the polar icecaps and the progressive and now unstoppable rise in sea levels; pollution by chemical and radioactive waste of land, water and the atmosphere; and genetic transmutations in many plant and animal species, to cope with the need to feed our overpopulated planet.
As the summer months climax with the annual monsoons breathing fresh life into the soil, Nature renews her promise to every being in her domain. It is a promise of continuity, and as if by magic, life vibrantly awakes, and breaks into song, with every creature, every plant, and every spirit dancing together in unison.
Are you familiar with those moments when it seems that life is talking to you, sending you some message, a direction? In the beginning, it might not seem very clear but with some extra observation and deeper investigation you become able to view the connection.
And so, a few weeks ago, the name Ulysses came to my life. It landed on me with no prior announcement, as if it wanted to tell me something, give me some message. I was not aware of this name before, but could guess that it was from Roman or Greek mythology. Indeed, based on some short investigation, I learnt that it is the Roman name of the Greek hero Odysseus, the main character of the famous Odyssey.
It seems to me that the purpose of human life is to grow. When I look back at the moments or the phases through which I have grown, I see them as times that tested me to transcend what I felt were my limitations; be it starting my own business venture with a bagful of doubts about my capabilities, or be it a moment of extreme anger in which I consciously decided not to identify with the anger. These phases had a common factor that we call ‘challenges’. I feel that the universe has it made it so by design!
The word Samurai originally meant ‘those who serve’, although individuals of this elite warrior class in medieval Japan were also referred to as Bushi, or warrior. And Bushido was the code of morality which the Samurai were meant to follow, not just in battle, but also in day-to-day activity. Speaking of this code in his book Bushido: The Soul of Japan, which is widely considered to be an authority on the subject, Nitobe says that it was not written down anywhere, but had organically formed over centuries.
Shabnam Virmani is the founder of the Kabir Project, which consists of a series of ongoing journeys inquiring into the spiritual, cultural, and socio-political resonances of the 15th century mystic and poet Kabir. Housed at the Srishti Institute of Art, Design and Technology (Bengaluru),
Among many other psychological diseases, our time is witness to frequent crises of indecisiveness and confusion in people. Many are those who let their lives slip by in a constant state of dissatisfaction, produced by not knowing what to do or how to do it in order achieve effective results.
From an esoteric point of view, a ritual is dependent on the existence of the invisible dimension. This invisible dimension consists of a spiritual-mental aspect, which is the domain of the archetypes or ‘living idea-beings’ spoken of by the Platonists; and an ‘astral’ aspect, which is an intermediate world between spirit and matter, just as imagination is the link between the world of ideas and the physical world. In this view of things, the invisible world exists, the material world reflects. The visible is the shadow of the invisible.
Many ancient traditions unequivocally describe the role of sound in the divine process of creation. The Bible declares, “In the beginning was the Word and the Word was with God and the Word was God”. (1) Hindu and Buddhist traditions believe that OM is the sound of creation, of the unmanifest diversifying into all the variations of energy that make up our universe.
Eight centuries ago a culture of mystical Islam suffused the lands extending from modern day Turkey (Anatolia) to modern day Afghanistan and Iran (Khorasan); it was called Sufi Islam. Etymologically, the word ‘Sufi’ is derived from the Arabic word safa, meaning purity. Mystics of the order created a path towards attaining self-knowledge and god-realisation in their desire to reunite themselves with God. This phenomenon was cradled and nourished by great intellectual, artistic and philosophical icons of the time; foremost among them was Jalaluddin Mohammed Rumi.