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This story was created by the volunteers New Acropolis India as a part of our 16th anniversary celebration. It shows the idea that to build a better world, we need the courage to first imagine it, and then conviction and persistence to make it come true. We need to sow the seed, which we then need to nourish for it to grow and flourish.
Hazrat Baba Bulleh Shah is believed to have been born in 1680, in the small village of Uch (Bahawalpur, Punjab) in present-day Pakistan, where his father, Shah Muhammad Darwaish, was a Paish Imam and teacher. Most historians confirm that Bulleh Shah worked as an adolescent herder in the village. Despite his poverty, however, he was able to educate himself very well, and became a well known Sufi mystic, and celebrated Kaafi poet, using the main lyrical form of Punjabi Sufi Poetry.
It is impossible to touch on certain mythical stories without touching the deepest strings of our souls.
The theogonic myths contain universal elements of the journey of the soul. They warn us about the dangers of this journey: about what enslaves the soul, takes it captive—all our vices, fears and weaknesses. They also tell us what elevates the soul and leads to its liberation—all our virtues. The myths contain the generous gifts that the gods offer us. All we have to do is learn to find them, recognize them and use them in our lives.
Many ancient traditions tell a story of an immense flood that destroyed a civilization that existed thousands of years ago; one that was perhaps far more technologically and spiritually advanced than we are today. Amongst them, Plato speaks of a vast continent called Atlantis that sank into the ocean. Although modern historians have found meagre evidence to corroborate this, too many traditions around the world explicitly, or obliquely, refer to this cataclysm to ignore it completely.
Most scientists are convinced that living beings are a product of their genes and that we are predetermined by a genetic program inherited from our ancestors, condemned to suffer. The last 20 years of biological research have completely transformed this belief. They have shown that we can be proactive in our lives, transform ourselves, change our behaviors, and go beyond ourselves towards sometimes unsuspected horizons. The research of Dr. Bruce Lipton (1) has revealed that the environment in which the cellular membrane operates controls the behavior and physiology of the cell, activating and deactivating the genes. These discoveries are opposed to the opinion of established scientists who claim that life is controlled by the genes, highlighting epigenetic science as one of the most important fields of study today.
A traditional Japanese story speaks of a disciple who once asked his master how one could achieve enlightenment. The master suggested in a matter of fact manner, that he must do exactly the same thing he did every morning for the sun to rise. After much pondering, the confused disciple went back to his master to confess that in reality he did not do anything to help the sun to rise every day…
In this article, I seek not to publish a scholastic investigation of Warli Art. Instead, as a philosopher studying symbolism, I humbly share my observations of a few elements from its unique tradition in which the artists seem to have been preoccupied, not with mythology, but with the strong drive to align to Nature’s order, by celebrating life and revering Mother Earth, through a unique sense of aesthetics.
Today, people throughout the world are perturbed by the degradation of the environment and the disastrous consequences of the loss of resources in the hands of an ever growing population. In such times, traditional ethics, which contained nature conservation
Eight centuries ago a culture of mystical Islam suffused the lands extending from modern day Turkey (Anatolia) to modern day Afghanistan and Iran (Khorasan); it was called Sufi Islam. Etymologically, the word ‘Sufi’ is derived from the Arabic word safa, meaning purity. Mystics of the order created a path towards attaining self-knowledge and god-realisation in their desire to reunite themselves with God. This phenomenon was cradled and nourished by great intellectual, artistic and philosophical icons of the time; foremost among them was Jalaluddin Mohammed Rumi.
Padmashri Shekhar Sen, accomplished actor, singer, lyricist, and music director, is perhaps most celebrated for his unique mono-act theatrical renditions, through which he brings to life master poet-philosophers Tulisdas, Kabir, Surdas, and Vivekananda. Last February, New Acropolis (Mumbai) had the privilege to host an evening performance of a medley of Shekhar ji’s moving works. Ever since, I have been longing for an opportunity to unravel the man behind the masks. Seated on the cozy sofa of his Versova home, over a hot cup of masala tea, the opportunity presented itself. Delightedly looking back at his visit to the Centre he shares, “Any place I go that I sense is truly spiritual is very special for me. In a place like New Acropolis, where so much good is fostered, I just hoped to absorb some profound inspiration, like baby Krishna steals away butter!” Our conversation naturally arrived at unraveling the true role of an artist in society, and Shekhar ji playfully wove poetry and rhyme into his evocative explanations.
The word ‘Permaculture’ was coined by Bill Mollison and David Holmgren in the 1970s to refer to the “consciously designed landscapes which mimic the patterns and relationships in nature, while yielding an abundance of food, fibre and energy for provision of local needs” [1]. What began as an ecological movement towards ‘Permanent Agriculture’, over time, evolved into something far more holistic and all encompassing; a set of principles and values of what it means to be conscious, contributing human beings and reviving a way of living that aims to develop interdependence and personal responsibility in every sphere of life.
Symbols hold a powerful attraction for people. Even today, in an age in which materialistic perspectives rule human thought, many ancient symbols such as the ankh, the yin/yang, American Indian designs, pyramids, and many other symbols are quite popular in jewelry and in the home. Why do symbols of the ancient civilizations continue to be an integral part our society, even to the point that corporations use them in commercials, movies, logos, in television documentaries, etc.?
Om. The first sound of creation as per the Hindu tradition. That sound with which all ancient vedic prayers start and end, as if emulating the sacred process of creation through sound. The classical tradition of music in India therefore, has traditionally been treated as a sacred means to interact with the creative principle of Life; it has the potential to play the role of a bridge between the musician and the divine, the higher aspect of life. In that sense, the classical musician embarks upon a philosopher’s journey, seeking that connection with the source and destiny of all Life.
One night, like most nights, I was reading while lying in bed. It was a book of lectures by Professor Jorge A. Livraga. It was the end of the day, darkness all around, silence….
By the light of the small lamp on the bedside table, my intellectual activity extended into the moments before sleep. Reading, reflection, peace in my heart… Everything was perfect. Suddenly, he appeared, a tiny insect. Bothersome, indifferent to my presence and incapable of sitting still. I tried to get him away from my book, but it was useless; he kept coming
back. Then I wanted to get it out of my mind, but I couldn’t do that either. It was already an active part of the discomfort that penetrated me.
A few years ago, I watched the documentary Babies by Thomas Balmes. It follows the first year of the lives of four babies from Mongolia, Japan, California and Namibia. The film does not contain any narration, it just lets the images speak for themselves, presenting the huge contrast that exists between these four cultures. It is amazing to see how, in just one year, these four babies had utterly different experiences of life on this planet, which would, no doubt, greatly influence the way they were going to understand the world and live in it.
Although I have never been a chess player I have always been fascinated by the various elements which constitute this game. Looking at the black and white chess board or the shapes of the various pieces I feel as if something very old and mysterious has been hidden behind those symbols. The origins of this game are not so clear, but it is well known that board games can be found all over the ancient world with records which stretch back as far as 5,000 years ago (i.e. in Egypt). It is very likely that the “ancestor” of this beloved board game was from the East and most likely from India. We also know of its connection with war, military strategies and the Kshatriya (warrior) caste. As India has always been associated with metaphysical teachings I wanted to see what symbolic connections could be found in this game.