Against All Odds : Q&A With Hans Dalal

What is the primary ethical obligation of the press? Is it not to seek the truth, actual facts, and to present it as objectively as possible? Yet, the facts alone are not the whole truth. Given the facts, there is a need to apprehend context, connect the dots, discern patterns, and collate them into statements of cause and effect using the highest standards of ethics. Can we ask this of journalists and newspapers? Must we not demand from them professional ethics, diligent verification of facts, training in methodology, and an unswerving loyalty to the truth?

At 61, Pierre Poulain exudes an integral energy. His stance is erect, as if poised for action, his eyes curious and attentive, and his speech swift and voluble.

He describes himself as a Philosopher – Photographer, combining these two apparently unrelated disciplines seamlessly. He founded New Acropolis in Israel in 1986, and has taught philosophy ever since. Today, as Regional Director he oversees New Acropolis work through the Asia-Africa-Oceania areas, while also finding the enthusiasm and passion to exhibit his photography work, and is invited to present lectures all over the world.

Architect Parul Zaveri established Abhikram (Sanskrit: initiation) to explore design directions and processes that make built environments functionally, psychologically, environmentally and spiritually more contextual, more comfortable and more healthfully livable for all.

At a time when energy guzzling steel, cement and glass towers are making towering bar-graphs of our city skylines, Parul and her late partner Nimish Patel have been successfully re-establishing the use of traditional material, technologies and craftsmen, adapted to a contemporary context. The path has not been easy, but armed with a clear intention and an unwavering conviction that has seen them refuse projects when clients’ belief systems are not in consonance with their own, and courageously stipulating environmentally friendly materials and processes as a precondition, they have embarked on building a better world.

Padmashri Shekhar Sen, accomplished actor, singer, lyricist, and music director, is perhaps most celebrated for his unique mono-act theatrical renditions, through which he brings to life master poet-philosophers Tulisdas, Kabir, Surdas, and Vivekananda. Last February, New Acropolis (Mumbai) had the privilege to host an evening performance of a medley of Shekhar ji’s moving works. Ever since, I have been longing for an opportunity to unravel the man behind the masks. Seated on the cozy sofa of his Versova home, over a hot cup of masala tea, the opportunity presented itself. Delightedly looking back at his visit to the Centre he shares, “Any place I go that I sense is truly spiritual is very special for me. In a place like New Acropolis, where so much good is fostered, I just hoped to absorb some profound inspiration, like baby Krishna steals away butter!” Our conversation naturally arrived at unraveling the true role of an artist in society, and Shekhar ji playfully wove poetry and rhyme into his evocative explanations.

New Acropolis Culture Circle recently interviewed Professor Thakur S Powdyel, Bhutan’s first democratically elected Minister of Education (2008-2013). An educator by choice, conviction and passion, he is respected for moving Bhutan towards fulfilling the country’s constitutional mandate for education. As a recipient of numerous international awards such as the Gusi Peace Prize and the Global Education Award,

“When the soul hears music, it drops its best guard.” – Socrates

Music is perhaps the most philosophically puzzling of all the arts. Unlike painting or sculpture it does not culminate in a physical object. Unlike literature and drama, instrumental music has no semantic value. Yet every tune, melody, theme, raga or symphony is steeped in metaphysical meaning.

Music has a tremendous ability to evoke emotion – joy, sadness, exhilaration, reverence, courage, patriotism et al. Its power to heal has been irrefutably documented, and music can be one of the most effective entrance points to meditative and sacred experiences. Cicero claimed that music could return man to paradise lost and that it was a communion with Divine Truth.

During their grueling journey across the Himalayas, Tibetan refugees carried hundreds of manuscripts into India, often guarding them with their lives. Many of these precious texts were offered to His Holiness the Dalai Lama, who founded the Library of Tibetan Works and Archives in Dharamsala (India)

One could attempt to describe Ela Bhatt with adjectives: soft-spoken, tenacious, compassionate, dedicated, principled, self-effacing. Or one could use nouns: lawyer, labor-leader, social activist, banker, author, philanthropist. But all these words together still do not comprehensively encompass her visionary foresight, her inexhaustible energy, her unbending strength of purpose, and her unswerving commitment to the humane.

New Acropolis invited educationist and environmentalist Sonam Wangchuk for a conversation about his work in Ladakh, to shed light on what drives his choices and actions. Sonam is the person that inspired the protagonist Phunsuk Wangdu in Chetan Bhagat’s, 3 Idiots. His life and work truly reflect that of a philosopher; someone driven by the needs of others, over his own.

Extracts from an evening hosted by New Acropolis Culture Circle. Philanthropy can be a bridge between the ideal of fraternity and its material manifestation. Imagining a better world, with a greater sense of fraternity is intuitively appealing to many. Yet, to make a personal sacrifice in order to create that better world, is the choice that we make less often than is needed.

In this light, it is relevant to ask – what drives one to share with that urgent sense of duty? Does one need money and power to be a philanthropist? What is the relationship between our choices and our identity?

Miti Desai is the founder and creative head of Miti Design Lab. A designer and classical dancer, Miti teaches as a visiting faculty at the Srishti School of Art, Design & Technology (Bengaluru) and at Sophia Polytechnic (Mumbai), and has personally created and executed courses initiating children into Holistic Design, Aesthetics and Culture through the performing arts.

Tall, trim and relaxed in any environment, Yaron Barzilay smiles easily, but weighs his words very carefully. Understated and well-read, he punctuates his conversations unexpectedly, with an incisive colloquial humor that betrays his acute sense of the current socio-economic and political climate, and his capacious grasp of India’s history and mythology.

Professionally, Yaron Barzilay is the Managing Director of IDEX India – a leading diamond trading platform for professional diamond traders worldwide.

For centuries art has been a natural means to express one’s inner journey – be it as a community or as an individual search. So has it been for Olivia Fraser, who has used her art to uplift, to produce wonder and beauty, and to find the ‘inner essence’ of things.

Olivia Fraser moved to India in 1989. Initially she was a travel painter before apprenticing with miniature and Pichwai artists from Jaipur, where she learnt their rich, rigorous and intricate tradition. The influence of Nathdwara Pichwai painting and early 19th century Jodhpuri painting,

Shabnam Virmani is the founder of the Kabir Project, which consists of a series of ongoing journeys inquiring into the spiritual, cultural, and socio-political resonances of the 15th century mystic and poet Kabir. Housed at the Srishti Institute of Art, Design and Technology (Bengaluru),

Ms. Anu Aga emanates the serenity of one who has successfully steered her life out of turbulence and is at peace with the cards that life dealt her, and the choices she has made along the way. Her petite frame however, is monumentally deceptive for she is a colossal force to reckon with.