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When we look around our world today we see an evident change in the last 50 years. Since the post-war reconstruction era that drove mass industrialisation and development of the economies of Western Europe and America, the focus has gradually shifted to developing economies and the flow of wealth has started reaching the shores of lesser developed nations
TOne of the platforms through which this unique concept of education was disseminated was through the ancient Indian Gurukul tradition. The term Gurukul comes from Guru, meaning teacher and kul, meaning extended family or home.
Mumbai has been my home for the past 45 years and this article is about my experience of the city which has shaped me and made me into much of what I am today. I received my shiksha – educational qualifications here; it is my karma bhumi – where I first started earning my living and it is here that I embarked on the journey of my spiritual development.
A good leader is one who has a clear vision of a better future – a future with which their own inner aspirations and values are aligned – and who is able to inspire and lead others towards making this vision a reality. A future for which people work not for their personal benefit, monetary or otherwise, but because they believe in the cause. Through the vision of the leader, people are able to see beyond their own gain and limitations and thereby find an opportunity to reconstruct their own self as they contribute. How wonderful this journey would be – for both the leader and those who follow him!
Last year we had a very special gathering of philosophers in Mumbai, and I had the privilege of looking after the meals for this wonderful event. A volunteer was helping me and I remember, as we started our first tasting of the many meals to come, she said, “Let’s make this tasting a ceremony!” Suddenly the whole atmosphere changed. We took our spoons from the chef with attention and care, and slowly scooped up the dish at the same time. We smiled as we put it into our mouths, savoured the wonderful cooking and declared it excellent! The chef was delighted as indeed were all who watched. A mundane task was turned into a memorable and meaningful one. What a joy!
Along with most of the world, we are in almost complete isolation, as a result of the rapid spread of COVID-19. The world seems to have stopped for a while and people, as well as organizations and governments, are uncertain about the near future.
The scene is somewhat surreal, giving an apocalyptic feeling towards what is yet to come. There are some who report a growing interest in ‘end-of-the-world’ literature, films, doomsday theories and alike. Even if the world is really far from heading to complete disaster, it is interesting to examine, as some have already done, the root of the word “apocalypse”.
No one can ignore the fact that we are living in a world in crisis, a world of great changes on the ecological, social, economic and even cosmic levels.
On the ecological level, this can be seen in the excessive, irrational and selfish exploitation of the natural resources of our planet Earth.
Some of the factors of this ecological crisis are of great importance for our immediate future. For example, the global warming of the planet, due to an uncontrolled industrialization, with its consequences of the melting of the polar icecaps and the progressive and now unstoppable rise in sea levels; pollution by chemical and radioactive waste of land, water and the atmosphere; and genetic transmutations in many plant and animal species, to cope with the need to feed our overpopulated planet.
As a poet, musician, writer, artist and educationist, Nobel Laureate Rabindranath Tagore was a visionary polymath. His verses, stories and songs are simple and personal, yet elegant and profound. His lyrical style was capable of focusing a magnifying glass to capture nature’s minutest details, while also throwing a searchlight across the heavens to encompass vast, magnificent, star-studded galaxies. His songs gave a voice to everyman, their many layered meanings unfurling to the attentive.
How would you define art? Usually, it is described as a form which is pleasing to the eyes. We call this form ‘beautiful’. Is beauty then related only to the sense of sight, motivated by the viewer’s feeling at the moment of viewing? Or is there such a thing as absolute Beauty, which is beyond subjective feelings of that moment, grasped by an inner sight, which remains beautiful, whether the viewer appreciates it or not; like a beautiful sunrise, or a lotus flower. Many religions speak of such Beauty as an eternal value, an archetype, one among many expressions of the principles of an objective unchanging reality, unbound by space and time, beyond the ever-changing subjective reality. If such absolute beauty exists, it becomes an aspect of reality, which unites despite differences in moods, fashion, culture, nationality, skin color, or gender.
A child’s journey to adulthood is often a mixed bag. It’s a time of learning and challenges. Skills and abilities are developed, as are likes and dislikes. He quickly learns the rules of the world that he lives in. And facing a new world for the first time, his simplest obstacles look like gigantic monsters. In these daunting encounters, heroes and their tales of magical and audacious adventures often play an important role. The “Super” men and women, become guardians, while dreams of magic lamps and genies make just about anything possible!
It is impossible to touch on certain mythical stories without touching the deepest strings of our souls.
The theogonic myths contain universal elements of the journey of the soul. They warn us about the dangers of this journey: about what enslaves the soul, takes it captive—all our vices, fears and weaknesses. They also tell us what elevates the soul and leads to its liberation—all our virtues. The myths contain the generous gifts that the gods offer us. All we have to do is learn to find them, recognize them and use them in our lives.
At some points in our lives, many of us face some nagging questions. What manifests is a sense of restlessness, a lack of real happiness and peace – despite the absence of any apparent reason for feeling so. Questions like, Am I doing what I should be doing? Do my actions have any meaning or purpose at all? What is my purpose?
How would you respond if at such moments, you got a direction like: “That which you seek is seeking you.” (1) Or if you hear with a transcendent clarity: “My soul is from elsewhere, I’m sure of that, and I intend to end up there.” (1) Would you not be inspired to pursue an investigation: What could be seeking me? Where has my soul come from? What direction takes me back to where I came from?
On 30th October 2021, New Acropolis Culture Circle hosted renowned architect Balkrishna Vithaldas Doshi, sharing his life experiences in a talk titled ‘A Lifetime of Architecture’. Charting out his early years of learning and practice in the field, he spoke passionately about understanding architecture as a living and ever-evolving concept. “It’s about living, and not just living, but living together, about how communities and societies can grow and become one.”, he explained. Mr. Doshi was born in Pune, he studied at JJ School of Architecture Mumbai, and moved to London and Paris to study under the famous architect Le Corbusier. Later in Ahmedabad, he worked with Louis Kahn. He has founded and taught at various institutions of planning and architecture like the School of Architecture & CEPT in Ahmedabad. Some of his renowned works are IIM Bangalore, CEPT University, Aranya housing project in Indore, ‘Amdavad ni Gufa’ which houses the late artist MF Husain’s paintings, along with Mr. Doshi’s own workplace ‘Sangath’, which is also a public space.
Almost every ancient culture thought it important to somehow preserve, communicate and transmit mythology related to this supreme God from generation to generation. Amon in Egypt, Apollo in Greece, Surya in India, Amaterasu in Japan, Xihe in China, Mithra in Mesopotamia,
Shabnam Virmani is the founder of the Kabir Project, which consists of a series of ongoing journeys inquiring into the spiritual, cultural, and socio-political resonances of the 15th century mystic and poet Kabir. Housed at the Srishti Institute of Art, Design and Technology (Bengaluru),