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TOne of the platforms through which this unique concept of education was disseminated was through the ancient Indian Gurukul tradition. The term Gurukul comes from Guru, meaning teacher and kul, meaning extended family or home.
Padmashri Shekhar Sen, accomplished actor, singer, lyricist, and music director, is perhaps most celebrated for his unique mono-act theatrical renditions, through which he brings to life master poet-philosophers Tulisdas, Kabir, Surdas, and Vivekananda. Last February, New Acropolis (Mumbai) had the privilege to host an evening performance of a medley of Shekhar ji’s moving works. Ever since, I have been longing for an opportunity to unravel the man behind the masks. Seated on the cozy sofa of his Versova home, over a hot cup of masala tea, the opportunity presented itself. Delightedly looking back at his visit to the Centre he shares, “Any place I go that I sense is truly spiritual is very special for me. In a place like New Acropolis, where so much good is fostered, I just hoped to absorb some profound inspiration, like baby Krishna steals away butter!” Our conversation naturally arrived at unraveling the true role of an artist in society, and Shekhar ji playfully wove poetry and rhyme into his evocative explanations.
The year is 1936. The Olympic Games in Munich are underway and Adolf Hitler, Chancellor of Germany, publicly comments, “The sportive, knightly battle awakens the best human characteristics. It doesn’t separate, but unites, the combatants in understanding and respect.
We have made great advances in mainstream medicine, and have at our disposal more technology and research than ever before. This has enabled us to make great strides in diagnosis and treatment. This progress, however, has its pitfalls as well. Specialty and super-specialty are causing doctors to lose a holistic view of patients. Rather than see them as human beings, they are reduced to a disconnected organ that needs correcting, blind sighting its role and function as a single part of a complex body, animated by consciousness. While attention to detail is essential, we must also consider the possibility that by zooming in, we may at times lose the bigger picture.
There is a relative uncertainty as to when our earliest human ancestors evolved on earth. But it is certain that by that time, a myriad variety of plants and trees had already been thriving on the planet. The very structure of a tree, with its trunk segmenting into branches, twigs and leaves, is a physical manifestation of the philosophical concept characterizing the relationship between the universe and the One; multiplicity from Unity. The tree’s concealed roots further extend the metaphor, of unity springing from a hidden origin or source. Even those of us who do not share this perception cannot help but experience a sense of awe, perhaps even an intuitive reverence, in the presence of a forest of these majestic giants clothed in their silent, steadfast, resilient beauty. Older than man himself, trees have been integral to myths and folklore in almost all cultures as symbols of solace, strength, abundance, and immortality.
In our perpetual pursuit of the perceived definition of success, our minds and bodies are incessantly engaged in surface level occupations; being ‘busy’ appears to be a natural choice to satiate our voracious material and intellectual needs. Nevertheless, somewhere a higher center within us remains starved and an intense yearning to unite with something larger than our individual selves is palpable. Despite material abundance, technological advance and unrestrained liberties, the overwhelming spiritual vacuum is incontrovertible. True, there are fleeting instances in which we do manage to establish an evanescent connection with the spiritual realm. However, the avenues to approach that elusive higher dimension, that lies deep within, in a more sustained manner appear abstract. To address this prevalent emptiness it is worthwhile for a seeker to explore the few unequivocal portals that facilitate such transitions.
For centuries art has been a natural means to express one’s inner journey – be it as a community or as an individual search. So has it been for Olivia Fraser, who has used her art to uplift, to produce wonder and beauty, and to find the ‘inner essence’ of things.
Olivia Fraser moved to India in 1989. Initially she was a travel painter before apprenticing with miniature and Pichwai artists from Jaipur, where she learnt their rich, rigorous and intricate tradition. The influence of Nathdwara Pichwai painting and early 19th century Jodhpuri painting,
One night, like most nights, I was reading while lying in bed. It was a book of lectures by Professor Jorge A. Livraga. It was the end of the day, darkness all around, silence….
By the light of the small lamp on the bedside table, my intellectual activity extended into the moments before sleep. Reading, reflection, peace in my heart… Everything was perfect. Suddenly, he appeared, a tiny insect. Bothersome, indifferent to my presence and incapable of sitting still. I tried to get him away from my book, but it was useless; he kept coming
back. Then I wanted to get it out of my mind, but I couldn’t do that either. It was already an active part of the discomfort that penetrated me.
Most scientists are convinced that living beings are a product of their genes and that we are predetermined by a genetic program inherited from our ancestors, condemned to suffer. The last 20 years of biological research have completely transformed this belief. They have shown that we can be proactive in our lives, transform ourselves, change our behaviors, and go beyond ourselves towards sometimes unsuspected horizons. The research of Dr. Bruce Lipton (1) has revealed that the environment in which the cellular membrane operates controls the behavior and physiology of the cell, activating and deactivating the genes. These discoveries are opposed to the opinion of established scientists who claim that life is controlled by the genes, highlighting epigenetic science as one of the most important fields of study today.
I recently had the opportunity to investigate my all-time favourite fairytale, Cinderella, in a new light. I realised that we can infact extract very practical principles to apply in our daily lives. But for this, we need to look at the story that we are so familiar with, through a new lens, leaving behind our preconceived notions for a moment. I began to slowly peel off layers, to attempt to read between the lines, and to grasp the symbolism deeply embedded in the characters and plot.
The universe is a place of balance…Yin and Yang, night and day, summer and winter, masculine and feminine. A balance achieved by complementarity – the equal and opposite effect of dualistic entities. Yin is as essential as Yang, just as night is as essential as day; each has its role and function in the service of life as a whole. So too, the feminine is as essential as the masculine.
The Japanese poetic form of haiku, is a very succinct poem that exemplifies simplicity. It is one of the most recognizable and popular forms of poetry today and has travelled far beyond Japan’s shores, with writers composing haiku in Spanish, English and even Bengali as seen in the works of Nobel laureate Rabindranath Tagore. It originally developed out of a highly formal, collaborative verse called renga, popular at middle class gatherings in the 7th century. (1) The starting verse of renga,
All the greatest spiritual teachers have spoken about the need for man to awaken, to pursue a shift of consciousness. Krishna, Buddha, Jesus, Plato all offered a clear, discernible path of spiritual growth towards a more meaningful life, which begins by recognizing and operating from a higher aspect within us, separate from our personality which is controlled by prejudices, fears, subjective emotions and egoistic thoughts. Beyond the religious customs that subsequently developed, these ancient traditions speak of Discipleship; an ardent and persevering path of constant self-development which illuminates man’s potential. Likewise, emerging from the ancient tradition of the Indian sub-continent, Yoga, if understood in entirety, also offers a discipular path leading to self-knowledge, transmutation and truth.
“Earth provides enough to satisfy every man’s needs, but not every man’s greed.” – M.K. Gandhi
Very often I hear from friends, “I want to be one with Nature.” For most people this means visiting some remote forested place rich in wildlife, or vacationing at some scenic location like a hill station or beach. Usually, there is a hope to experience something different, return rejuvenated. And so, the aspiration of ‘being one with nature’ is reduced to getting something from her. But when visiting such places of ‘natural’ beauty can we become more conscious of the relationship between Nature, the Earth, and ourselves? Can there be more consciousness when relating to the Earth, to see the unity amongst everything on Earth, including the Earth itself? Do our actions reflect respect for the Earth? Let us examine this connection. What are we doing to Nature, and can we rectify the situation?
“Who were you that I lived with, walked with? The brother, the friend? Strife and love, darkness and light…are they workings of one mind, features of the same face? Oh my soul. Let me be in you now. Look out through my eyes. Look out at the things you made. All things shining.”