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Today is a special day; it is the day that UNESCO marks as World Philosophy Day. It is great for us to be able to celebrate philosophy. Especially, since we shall also use the opportunity to launch a book written by Delia Steinberg Guzman (Honorary President of the International Organisation New Acropolis), entitled Philosophy for Living. She has written quite a lot of books, published and translated in many languages. This is the first one that is translated to English, and I am very happy that we have this opportunity today, to launch it together.
When I write an article for this magazine (referring to the Acropolis Magazine published by New Acropolis Israel in Hebrew), I usually pick an event from the daily news to comment on. Today I will not fail in this habit, but I have chosen to comment not on an event, but a personal experience which had occurred in a class, at the New Acropolis center in Tel Aviv.
We had a one day seminar, with theoretical and practical exercises about philosophy and the path to wisdom, and during this seminar I answered some questions. One of the questions was: What is the difference between philosophy and religion?
TOne of the platforms through which this unique concept of education was disseminated was through the ancient Indian Gurukul tradition. The term Gurukul comes from Guru, meaning teacher and kul, meaning extended family or home.
In our perpetual pursuit of the perceived definition of success, our minds and bodies are incessantly engaged in surface level occupations; being ‘busy’ appears to be a natural choice to satiate our voracious material and intellectual needs. Nevertheless, somewhere a higher center within us remains starved and an intense yearning to unite with something larger than our individual selves is palpable. Despite material abundance, technological advance and unrestrained liberties, the overwhelming spiritual vacuum is incontrovertible. True, there are fleeting instances in which we do manage to establish an evanescent connection with the spiritual realm. However, the avenues to approach that elusive higher dimension, that lies deep within, in a more sustained manner appear abstract. To address this prevalent emptiness it is worthwhile for a seeker to explore the few unequivocal portals that facilitate such transitions.
Recently, in the United States, the Governor of Georgia asked the state legislature to pass a law requiring that a classical CD be sent to every new mother. Although this bill did not pass, it received a great deal of attention. The unusual request was prompted by exciting new research in the fields of neuroscience and cognitive science regarding the effects of classical music on intelligence and learning.
In this article, I seek not to publish a scholastic investigation of Warli Art. Instead, as a philosopher studying symbolism, I humbly share my observations of a few elements from its unique tradition in which the artists seem to have been preoccupied, not with mythology, but with the strong drive to align to Nature’s order, by celebrating life and revering Mother Earth, through a unique sense of aesthetics.
Today, people throughout the world are perturbed by the degradation of the environment and the disastrous consequences of the loss of resources in the hands of an ever growing population. In such times, traditional ethics, which contained nature conservation
As if echoing these ancient scriptures, quantum physicists state that creation began with the Big Bang – a first pulse of vibration; vibration is sound. The beginning of creation is therefore conceived as a primordial word. As creatures evolved,
Many ancient traditions unequivocally describe the role of sound in the divine process of creation. The Bible declares, “In the beginning was the Word and the Word was with God and the Word was God”. (1) Hindu and Buddhist traditions believe that OM is the sound of creation, of the unmanifest diversifying into all the variations of energy that make up our universe.
This article is a compilation of excerpts from the book A Moment to Stop and Reflect by Ilanit Adar Matoki to be published in Korean.
In times when knowledge is very accessible and there exists a flood of information, it is a challenge to acknowledge words of wisdom. The eyes quickly pass over unimportant words in the same manner as knowledge of great importance and value. My purpose here is to revive the words of wisdom uttered by philosophers, scientists, artists and leaders, and to emphasize the practical aspect of universal ideas that are independent of time and place.
The cyanotype process is a fascinating analogue photographic printing process that produces distinctive blue hued prints. It was one of the earliest non-silver processes used for creating photographs, and its invention marked a significant development in the history of photography.
“And how many years can some people exist
Before they’re allowed to be free?
Yes, and how many times can a man turn his head
And pretend that he just doesn’t see?
How many times must a man look up
Before he can see the sky?”
These lines from Bob Dylan’s song – Blowing in the Wind – flashed in my head as I put down another book written on Giordano Bruno, arguably one of the greatest philosophers from the 16th Century. The lines of the song and Giordano Bruno’s quest seem to echo each other – to urge humanity to look beyond the dark sheaths of ignorance, the petty disputes, divisions and one-upmanship, and to explore the true identity of what it means to be human, which is much more than the mode of survival that has become the focus of our ‘living’, today.
Between the Middle Ages in Europe when it was engulfed in darkness, and today where we admire the marvels of human creation, connectedness, technological advancement, and medical progress, have we really become smarter, happier, more loving and caring? Why does it feel that the last few hundred years of progress have largely been about attempts to master the everchanging outside, without ever addressing the real core of the problem? Have we even spent enough time to understand what the core is? Have we made progress towards finding out what our life is about and who we really are?
In the journey of life as we grow in consciousness, we start to become aware of a certain truth that dawns on us as gently and as lovingly as the first rays of the rising Sun – that we are all ‘One Life’, deeply connected to each other in mystic and mysterious ways.
To share forward what we have received, humbly, to the best of our ability, as an example of someone who can grow, being less influenced by external expectations and more driven by an inner aspiration to know who we really are and what our purpose is, in life. Knowing that in this vast fabric of time and space, what I choose to do today, can have an impact on future generations – and is therefore, a great responsibility that I bear, to choose correctly for the beehive that sustains all of us.
For centuries art has been a natural means to express one’s inner journey – be it as a community or as an individual search. So has it been for Olivia Fraser, who has used her art to uplift, to produce wonder and beauty, and to find the ‘inner essence’ of things.
Olivia Fraser moved to India in 1989. Initially she was a travel painter before apprenticing with miniature and Pichwai artists from Jaipur, where she learnt their rich, rigorous and intricate tradition. The influence of Nathdwara Pichwai painting and early 19th century Jodhpuri painting,
Human beings are often said to be rational creatures, but in reality we are very much emotional creatures as well. More often than not, history is a showcase of tragic actions taken by human beings overcome by their passions. And apart from these grand-scale dramas, our everyday life is full of instances where the right thing is sacrificed for the sake of the urge, the ego, the instinct.
In great theatrical tragedies, such as the Shakespearean King Lear or Romeo and Juliet, the passionate actions taken by the protagonists lead to an unfortunate chain of events of betrayal and death.