Shakespeare – Heaven and Hell Within Us

The quality of a civilisation’s culture is most visible in its art and more particularly in its architectural accomplishments, for these are usually its most complex and long-lasting forms. It’s hard to conceive of a more awe-inspiring architecture than that found in ancient Egypt. The essence and message of Egyptian architecture remained unaltered throughout the millennia, while its majestic and aesthetic style still manages to convey forgotten psychological and spiritual truths.

It is evident that beyond entertainment, theatre might also be a means to investigate the world in which we live, and what it means to be human. Recently, I had the opportunity to revisit Othello in which Shakespeare deals with an array of human experience that is always pertinent.

It is natural to wish to live a successful and meaningful life; to feel we managed to contribute, and make some difference, some impact on the world around us; to feel we fulfilled our life. To do so, it can be logical that one would seek to influence others,  to be considered successful in their eyes, and someone worth learning from. It is certainly a means to impact others, to get positive attention. It could become a problem however, if we tend to mix means with aims, forgetting that one cannot replace the other. To be considered successful on the outer doesn’t stand for the quality of the inner and the actual.

In Sophie’s World, Gaarder manages to skillfully weave together so many disparate genres that this successively dense, quirky, perplexing and illuminating novel defies even the most basic genre labelling. A comprehensive outline of Western philosophical thought that covers 2000 years from Socrates through Marx, Darwin, Freud and Sartre should deem it serious, scholarly and unequivocally non-fiction. Yet it is also a wondrous fictional fantasy about a 15-year old girl Sophie Amundsen and her search for eternal and universal truths that takes the form of a well-crafted mystery.

What makes this poetry so popular and why do so many admire its beauty? Perhaps because the poet describes beauty in words which create such powerful imagery that you feel as if you are in a field of daffodils. It captures a range of emotions, contemplation and connection with nature as one might experience.

Most ancient traditions seem to share a dominant myth that revolves around a long and arduous journey with the hero facing danger or death, overcoming obstacles, before accomplishing his purposeful goal and returning home. Ancient Egypt, Greece and Rome, among others, viewed some of these heroes even as gods. Hercules and Arjuna are examples of such heroes who, while fighting monumental challenges, grew in stature, and unlocked their true potential. Perhaps like these heroes, we too are on our own journey to discover our own potential. Perhaps in this journey lie the hidden answers to questions about the meaning and purpose of our lives!

The six darshanas are philosophical systems, or schools of thought, that take their authority from the Vedas. As implied by the meaning of the word darshana, to see or to experience, the six disciplines offer unique points of view, six separate windows from which to observe and comprehend Life, six seemingly disparate paths leading towards the one Ultimate Reality through the removal of ignorance of the nature of existence, liberation from suffering, and the attainment of enlightenment.

To share forward what we have received, humbly, to the best of our ability, as an example of someone who can grow, being less influenced by external expectations and more driven by an inner aspiration to know who we really are and what our purpose is, in life. Knowing that in this vast fabric of time and space, what I choose to do today, can have an impact on future generations – and is therefore, a great responsibility that I bear, to choose correctly for the beehive that sustains all of us.

Tagore always criticized power and materialism for its own sake. The more one accumulates treasures, and the more one amasses all the power in the world, one is actually chained.

Adam Williamson is an award-winning calligrapher and sculptor whose permanent public works can be viewed around the U.K. He is drawn to particular shapes and patterns that embody universal principles found in nature, made visible through the hands of craftsmen. Adam has been commissioned by many prestigious clients including Oxford University, Shakespeare’s Globe London, Westminster Abbey, to name just a few, and has given numerous public lectures and workshops at leading cultural institutions all over the world.

Many ancient traditions tell a story of an immense flood that destroyed a civilization that existed thousands of years ago; one that was perhaps far more technologically and spiritually advanced than we are today. Amongst them, Plato speaks of a vast continent called Atlantis that sank into the ocean. Although modern historians have found meagre evidence to corroborate this, too many traditions around the world explicitly, or obliquely, refer to this cataclysm to ignore it completely.

All the greatest spiritual teachers have spoken about the need for man to awaken, to pursue a shift of consciousness. Krishna, Buddha, Jesus, Plato all offered a clear, discernible path of spiritual growth towards a more meaningful life, which begins by recognizing and operating from a higher aspect within us, separate from our personality which is controlled by prejudices, fears, subjective emotions and egoistic thoughts. Beyond the religious customs that subsequently developed, these ancient traditions speak of Discipleship; an ardent and persevering path of constant self-development which illuminates man’s potential. Likewise, emerging from the ancient tradition of the Indian sub-continent, Yoga, if understood in entirety, also offers a discipular path leading to self-knowledge, transmutation and truth.

The word Samurai originally meant ‘those who serve’, although individuals of this elite warrior class in medieval Japan were also referred to as Bushi, or warrior. And Bushido was the code of morality which the Samurai were meant to follow, not just in battle, but also in day-to-day activity. Speaking of this code in his book Bushido: The Soul of Japan, which is widely considered to be an authority on the subject, Nitobe says that it was not written down anywhere, but had organically formed over centuries.

During the Renaissance, while Europe was experiencing a gigantic shift of ideas in almost every aspect of knowledge, in India, was born a man who, as Emperor of Hindustan, would use his indomitable courage and a restless search for wisdom to weave a similarly audacious social, political, and spiritual vision in the Indian subcontinent. His name was Abu’l-fath Jalal-ud-din Muhammad Akbar.

As a poet, musician, writer, artist and educationist, Nobel Laureate Rabindranath Tagore was a visionary polymath. His verses, stories and songs are simple and personal, yet elegant and profound. His lyrical style was capable of focusing a magnifying glass to capture nature’s minutest details, while also throwing a searchlight across the heavens to encompass vast, magnificent, star-studded galaxies. His songs gave a voice to everyman, their many layered meanings unfurling to the attentive.