The Mozart Effect

One of the main characteristics of the human mind is its ability to form concepts, principles and theories for the purpose of understanding the world around us. Einstein used to say in wonder that the most surprising thing about the universe is that it seemed intelligible. It might well not be, but it is. What we do not understand seems messy to us, and stimulates us to discover it.

The word ‘Permaculture’ was coined by Bill Mollison and David Holmgren in the 1970s to refer to the “consciously designed landscapes which mimic the patterns and relationships in nature, while yielding an abundance of food, fibre and energy for provision of local needs” [1]. What began as an ecological movement towards ‘Permanent Agriculture’, over time, evolved into something far more holistic and all encompassing; a set of principles and values of what it means to be conscious, contributing human beings and reviving a way of living that aims to develop interdependence and personal responsibility in every sphere of life.

“Who were you that I lived with, walked with? The brother, the friend? Strife and love, darkness and light…are they workings of one mind, features of the same face? Oh my soul. Let me be in you now. Look out through my eyes. Look out at the things you made. All things shining.”

Amidst a series of mystical verses compiled in the Bhagavad Gita, this is one of the fundamental instructions that Krishna transmits to a distraught Arjuna, when faced with the prospect of killing his own cousins in the battlefield of Kurukshetra, in order to reinstate dharma in the kingdom.

I come from the limited world of business governed by ever-changing rules of finance and management. Hence, I have no formal qualification to write a scientific article about the unlimited natural world of the Animal Kingdom. My philosophy study, however, has led me to investigate various aspects of ecology and sustainability and this article is a result of my observations and reflections.

As a student of Sri V Ganapati Sthapati, and then from her association to the School of Architecture of Madras University, for over 30 years Sashikala Ananth has been investigating the classical Indian science of architecture, known as Vaastu, combining both textual knowledge and practical field application. She has distilled her experience in her books that include The Penguin Guide to Vaastu and Pocket Book of Vaastu.

Miti Desai is the founder and creative head of Miti Design Lab. A designer and classical dancer, Miti teaches as a visiting faculty at the Srishti School of Art, Design & Technology (Bengaluru) and at Sophia Polytechnic (Mumbai), and has personally created and executed courses initiating children into Holistic Design, Aesthetics and Culture through the performing arts.

Since the beginning of the Covid-19 pandemic, many aspects of the reality that we have been accustomed to, have changed. All at once, reality has become an unstable and inconvenient place to live in. Many of our basic needs for social gathering and human interaction became very limited. This situation had a psychological impact, and emotions such as uncertainty, confusion, anxiety and fear of the future, have been growing dramatically in our society.

Many ancient traditions tell a story of an immense flood that destroyed a civilization that existed thousands of years ago; one that was perhaps far more technologically and spiritually advanced than we are today. Amongst them, Plato speaks of a vast continent called Atlantis that sank into the ocean. Although modern historians have found meagre evidence to corroborate this, too many traditions around the world explicitly, or obliquely, refer to this cataclysm to ignore it completely.

Every living being on this planet, from the mineral to plants, animals, and man, has a role to play in maintaining the fine balance of our ecosystem. If even one of these does not play its part, it will cause an imbalance that affects the whole. Today, when we look at our planet and the destruction we are causing to it, our response is usually emotional; evoking anger, frustration, despair and helplessness against some seemingly greater force that is beyond our control.

This journey started with my love for food, which prompted me to pursue a degree in Culinary Arts. There, in addition to simply cooking, I was introduced to the various aspects about growing and producing food before it enters the kitchen, including the entire mechanism of factory farming and the resulting destruction caused to the environment. Fortunately, I was also introduced to the other end of the spectrum: Organic farming and SLOW foods (Sustainable, Local, Organic, Wholesome) and the whole stratosphere of environmental issues,

For centuries art has been a natural means to express one’s inner journey – be it as a community or as an individual search. So has it been for Olivia Fraser, who has used her art to uplift, to produce wonder and beauty, and to find the ‘inner essence’ of things.

Olivia Fraser moved to India in 1989. Initially she was a travel painter before apprenticing with miniature and Pichwai artists from Jaipur, where she learnt their rich, rigorous and intricate tradition. The influence of Nathdwara Pichwai painting and early 19th century Jodhpuri painting,

The shame and frustration of losing, in fact, have nothing to do with the person or circumstance which defeated us, it is our inner resistance to accept the fact that we are not perfect and that we need to continue and train ourselves; It is a resistance to the fact that in this lifetime we may not be able to achieve everything we dream of.

Although I have never been a chess player I have always been fascinated by the various elements which constitute this game. Looking at the black and white chess board or the shapes of the various pieces I feel as if something very old and mysterious has been hidden behind those symbols. The origins of this game are not so clear, but it is well known that board games can be found all over the ancient world with records which stretch back as far as 5,000 years ago (i.e. in Egypt). It is very likely that the “ancestor” of this beloved board game was from the East and most likely from India. We also know of its connection with war, military strategies and the Kshatriya (warrior) caste. As India has always been associated with metaphysical teachings I wanted to see what symbolic connections could be found in this game.

Science found its place and its legitimacy in the last century with the blossoming of modernity. If in our age, the so-called post-modern era, it still wishes to occupy its rightful place, it needs to reform
itself.