Duty of Fraternity

armonia, in Greek Mythology, is the goddess of Harmony and Concord. She is the daughter of Ares, the God of War; and Aphrodite, the Goddess of Love. At first glance, this could seem strange: a force of war, and a force of love coming together to create harmony.

For New Acropolis members across the globe, every day in a way, is World Philosophy Day. Through history, classical traditions have employed philosophy as the central axis of education, recognizing the pivotal role of wisdom and ethics, in the formation of human civilization. Therefore, we mark the special opportunity of UNESCO’s annual endorsement of World Philosophy Day to further emphasize the value of Philosophy, as a practical tool by which to improve our lives.

New Acropolis, a school of practical philosophy celebrated Arts Day 2024, in recognition of the value of art and culture in all their myriad expressions, to individuals and to societies. India North, comprising the main centre Mumbai and the Pune branch, hosted an event at each location on June 9th, entitled Many Traditions, One Essence: Seeking Beauty through a Diversity of Expressions.

As philosophers born in an age where Science is leading the pursuit of answering questions to do with life, creation and the nature of reality, it becomes incumbent upon us to keep alive the sense of wonder at the underlying order and harmony in the workings of the universe. The search for ‘truth’ and ‘meaning’ has driven philosophers, scientists and religious thinkers alike…so would it really be presumptuous to qualify this search as one to do with the ultimate mystery, the enigma of God? This article looks at this enigma by reproducing interesting conversations on the interplay between scientific pursuits and spiritually based ideas from renowned scientists and writers. It sets out to show how rationalists and scientists do concur albeit in different ways, that there is an invisible force that animates all of us and determines the laws of nature and the universe at large.

Miti Desai is the founder and creative head of Miti Design Lab. A designer and classical dancer, Miti teaches as a visiting faculty at the Srishti School of Art, Design & Technology (Bengaluru) and at Sophia Polytechnic (Mumbai), and has personally created and executed courses initiating children into Holistic Design, Aesthetics and Culture through the performing arts.

“And how many years can some people exist
Before they’re allowed to be free?

Yes, and how many times can a man turn his head
And pretend that he just doesn’t see?

How many times must a man look up
Before he can see the sky?”

These lines from Bob Dylan’s song – Blowing in the Wind – flashed in my head as I put down another book written on Giordano Bruno, arguably one of the greatest philosophers from the 16th Century. The lines of the song and Giordano Bruno’s quest seem to echo each other – to urge humanity to look beyond the dark sheaths of ignorance, the petty disputes, divisions and one-upmanship, and to explore the true identity of what it means to be human, which is much more than the mode of survival that has become the focus of our ‘living’, today.

Between the Middle Ages in Europe when it was engulfed in darkness, and today where we admire the marvels of human creation, connectedness, technological advancement, and medical progress, have we really become smarter, happier, more loving and caring? Why does it feel that the last few hundred years of progress have largely been about attempts to master the everchanging outside, without ever addressing the real core of the problem? Have we even spent enough time to understand what the core is? Have we made progress towards finding out what our life is about and who we really are?

A wise man once said, “One close real friend is better than ten distant and estranged brothers.” Does true and unconditioned comradeship still exists in the 21st century? How different is real friendship from having casual friends or from “Facebook Friends”? Can this kind of lasting and profound friendship be found? How and where?

There are many kinds of friendships, some casual, some romantic, some are pleasant like flowers that bloom for a day or like a summer cloud, but some rare ones are as firm as an oak. These rare relationships do not depend on passing needs or on momentary interests.

Many of us wish to change the world. But how can it be done?

First of all, it is obvious we are not just seeking to change the world – the world is changing anyhow, regardless of what we do. The ancient philosophers wisely stated that the only permanent thing in the world is change.

In reality, it is not change we seek, it is a certain, positive, change – a diversion of the river’s flow, an orientation towards a brighter future for humanity.

Second, none of us by ourselves can really make a meaningful impact.

One of the foundations of how we conceptualize our sense of self today, perhaps came from the 17th century philosopher Rene Descartes’ most famous maxim, cogito ergo sum or I think therefore I am. Taken to an extreme that Descartes himself may never have meant, we are conditioned to prioritize self-interest, applaud the pursuit of our own happiness, and promote personal freedoms dictated by one’s own morality.

Often when we come across this phrase, it is meant to emphasise the importance of bottom line results, disregarding the means used to achieve them, as if the path of our actions isn’t important at all; only the outcome is. Sometimes it is used in order to justify an unethical act with regards to a right cause, or even a noble ideal.

Practically, one may say that a small evil is acceptable, in order to prevent a greater one, or to bring some good. But what starts with good intention may easily grow into an undesirable reality; planting the seed of a certain tree can’t result in a different type of tree, no matter how much we wish for it.

It is evident that beyond entertainment, theatre might also be a means to investigate the world in which we live, and what it means to be human. Recently, I had the opportunity to revisit Othello in which Shakespeare deals with an array of human experience that is always pertinent.

Last year we had a very special gathering of philosophers in Mumbai, and I had the privilege of looking after the meals for this wonderful event. A volunteer was helping me and I remember, as we started our first tasting of the many meals to come, she said, “Let’s make this tasting a ceremony!” Suddenly the whole atmosphere changed. We took our spoons from the chef with attention and care, and slowly scooped up the dish at the same time. We smiled as we put it into our mouths, savoured the wonderful cooking and declared it excellent! The chef was delighted as indeed were all who watched. A mundane task was turned into a memorable and meaningful one. What a joy!

To share forward what we have received, humbly, to the best of our ability, as an example of someone who can grow, being less influenced by external expectations and more driven by an inner aspiration to know who we really are and what our purpose is, in life. Knowing that in this vast fabric of time and space, what I choose to do today, can have an impact on future generations – and is therefore, a great responsibility that I bear, to choose correctly for the beehive that sustains all of us.

She feels that she didn’t ‘choose Dhrupad’, rather she organically got drawn to an ecosystem where the ideal teacher and music were present. The meaning of taleem, for her, is a unique exchange, which is not just training but rather a process of giving and receiving.

Our recent times are characterized by a phenomenon due to which we may refer to it as a Post Truth Era. Not only are the differences between the real and unreal fewer, and less clear, but they are regarded as irrelevant. This seems to be yet another inevitable step downward in postmodernist thinking, and it deserves our attention and reflection as it seems to be yet another warning sign for what is yet to come. In a world so heavily bombarded by an overwhelming quantity of information and stimulation