Custodians of Culture, in conversation with Padmashri Shekhar Sen

During the Renaissance, while Europe was experiencing a gigantic shift of ideas in almost every aspect of knowledge, in India, was born a man who, as Emperor of Hindustan, would use his indomitable courage and a restless search for wisdom to weave a similarly audacious social, political, and spiritual vision in the Indian subcontinent. His name was Abu’l-fath Jalal-ud-din Muhammad Akbar.

This story was created by the volunteers New Acropolis India as a part of our 16th anniversary celebration. It shows the idea that to build a better world, we need the courage to first imagine it, and then conviction and persistence to make it come true. We need to sow the seed, which we then need to nourish for it to grow and flourish.

The quality of a civilisation’s culture is most visible in its art and more particularly in its architectural accomplishments, for these are usually its most complex and long-lasting forms. It’s hard to conceive of a more awe-inspiring architecture than that found in ancient Egypt. The essence and message of Egyptian architecture remained unaltered throughout the millennia, while its majestic and aesthetic style still manages to convey forgotten psychological and spiritual truths.

Unity of all mankind may seem at first a lofty and utopian concept, but the actualization of this intention is perhaps the realization of one principle: recognition and respect for the diversity of the human race. We must understand each other, honour each other’s cultural identity, and value each other’s way of life.

The year is 1936. The Olympic Games in Munich are underway and Adolf Hitler, Chancellor of Germany, publicly comments, “The sportive, knightly battle awakens the best human characteristics. It doesn’t separate, but unites, the combatants in understanding and respect.

Tagore always criticized power and materialism for its own sake. The more one accumulates treasures, and the more one amasses all the power in the world, one is actually chained.

It is evident that beyond entertainment, theatre might also be a means to investigate the world in which we live, and what it means to be human. Recently, I had the opportunity to revisit Othello in which Shakespeare deals with an array of human experience that is always pertinent.

Human Values are the noble, guiding principles that must shape our behaviour, attitude and interactions with others. Cultivating these values therefore, is crucial for fostering a harmonious and inclusive society. Culture, the rich tapestry of all the fine arts, as well as the philosophy that underlies customs and traditions, plays a significant role in nurturing and developing human values. To this end New Acropolis, in Mumbai, hosted a carefully curated selection of philosophy, film, music and dance on 10th June 2023, at the Chemould Prescott Road art gallery, to celebrate culture in its myriad forms.

In Sophie’s World, Gaarder manages to skillfully weave together so many disparate genres that this successively dense, quirky, perplexing and illuminating novel defies even the most basic genre labelling. A comprehensive outline of Western philosophical thought that covers 2000 years from Socrates through Marx, Darwin, Freud and Sartre should deem it serious, scholarly and unequivocally non-fiction. Yet it is also a wondrous fictional fantasy about a 15-year old girl Sophie Amundsen and her search for eternal and universal truths that takes the form of a well-crafted mystery.

Taking inspiration from Gandhi’s relentless pursuit for Truth, Empowering Real Change: Leadership for a Better World brought together distinguished leaders who have been striving to make a better world through tireless work in their various fields. The event culminated in a Resolution to spearheaded a series of events, conferences and exhibitions across the world, exploring Gandhi’s contributions as practical solutions to address the challenges of our times.

How would you define art? Usually, it is described as a form which is pleasing to the eyes. We call this form ‘beautiful’. Is beauty then related only to the sense of sight, motivated by the viewer’s feeling at the moment of viewing? Or is there such a thing as absolute Beauty, which is beyond subjective feelings of that moment, grasped by an inner sight, which remains beautiful, whether the viewer appreciates it or not; like a beautiful sunrise, or a lotus flower. Many religions speak of such Beauty as an eternal value, an archetype, one among many expressions of the principles of an objective unchanging reality, unbound by space and time, beyond the ever-changing subjective reality. If such absolute beauty exists, it becomes an aspect of reality, which unites despite differences in moods, fashion, culture, nationality, skin color, or gender.

The Japanese poetic form of haiku, is a very succinct poem that exemplifies simplicity. It is one of the most recognizable and popular forms of poetry today and has travelled far beyond Japan’s shores, with writers composing haiku in Spanish, English and even Bengali as seen in the works of Nobel laureate Rabindranath Tagore. It originally developed out of a highly formal, collaborative verse called renga, popular at middle class gatherings in the 7th century. (1) The starting verse of renga,

History is an extraordinary showcase where different ideas have appeared and given rise to many different ways of life, like coloured crystals whose hues vary according to the light. Each age has its parameters, and human beings, on their endless path of searching, have been ruled by those models, which they have tried to follow and obey more than they would follow an idea from any other source. What is commonly accepted becomes like a law and, as time passes, some of the ideas that have been accepted become even more powerful than laws themselves.

Dance is a universal language that transcends geography and time; it is a means to express sentiments that cannot be captured in words. Although forms of dance differ across cultures, the aspiration of a true dancer always seems to remain the same – to assimilate and internalize principles of beauty, harmony and grace through movement and form, thereby escorting the audience to experience and discover these very same archetypes that lie latent within each individual.

In 1991, Delia Steinberg took over the presidency of New Acropolis following the death of its founder, Jorge Angel Livraga Rizzi, under whose guidance she had worked very closely over a period of more than 20 years.
She is currently Honorary President of the International Organisation New Acropolis.
Under Delia’s leadership, New Acropolis has expanded across the five continents, bringing Philosophy in the Classical Tradition closer to a wide range of people. This development has been implemented through its philosophical, cultural and volunteering programmes, which have provided new approaches while at the same time going deeper into the identity of New Acropolis, as defined in its founding principles. Thousands of Acropolitan members, friends and supporters from all around the world are living proof that the philosophical answers New Acropolis offers in response to the complexities of our times are valid and necessary, since they are based on the values of timeless wisdom, which has enlightened humanity at its most difficult moments.