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For New Acropolis members across the globe, every day in a way, is World Philosophy Day. Through history, classical traditions have employed philosophy as the central axis of education, recognizing the pivotal role of wisdom and ethics, in the formation of human civilization. Therefore, we mark the special opportunity of UNESCO’s annual endorsement of World Philosophy Day to further emphasize the value of Philosophy, as a practical tool by which to improve our lives.
The universe is a place of balance…Yin and Yang, night and day, summer and winter, masculine and feminine. A balance achieved by complementarity – the equal and opposite effect of dualistic entities. Yin is as essential as Yang, just as night is as essential as day; each has its role and function in the service of life as a whole. So too, the feminine is as essential as the masculine.
Dance is a universal language that transcends geography and time; it is a means to express sentiments that cannot be captured in words. Although forms of dance differ across cultures, the aspiration of a true dancer always seems to remain the same – to assimilate and internalize principles of beauty, harmony and grace through movement and form, thereby escorting the audience to experience and discover these very same archetypes that lie latent within each individual.
For millennia, specific locations around the world have been regarded with fascination and sacredness. Despite all the materialistic opulence and grandeur of some of the most recent human architectural achievements, there remains something awe inspiring about many ancient structures that have stood their ground for thousands of years. For many, even the most grandiose five-star properties of Dubai look pale when compared to the magnificence of the Angkor Wat Temple Complex in Cambodia for instance.
When we speak about Shakespeare we can refer to him as the Philosopher-Artist. An artist who succeeds, in his work, in investigating the depth of the human existence and his relationship with the gods and the universe. Shakespeare, a wizard of words, is a symbol of an artist whose work lives forever because it touches the heart of the human experience and asks questions that are and will always be relevant to human beings.
Om. The first sound of creation as per the Hindu tradition. That sound with which all ancient vedic prayers start and end, as if emulating the sacred process of creation through sound. The classical tradition of music in India therefore, has traditionally been treated as a sacred means to interact with the creative principle of Life; it has the potential to play the role of a bridge between the musician and the divine, the higher aspect of life. In that sense, the classical musician embarks upon a philosopher’s journey, seeking that connection with the source and destiny of all Life.
On 30th October 2021, New Acropolis Culture Circle hosted renowned architect Balkrishna Vithaldas Doshi, sharing his life experiences in a talk titled ‘A Lifetime of Architecture’. Charting out his early years of learning and practice in the field, he spoke passionately about understanding architecture as a living and ever-evolving concept. “It’s about living, and not just living, but living together, about how communities and societies can grow and become one.”, he explained. Mr. Doshi was born in Pune, he studied at JJ School of Architecture Mumbai, and moved to London and Paris to study under the famous architect Le Corbusier. Later in Ahmedabad, he worked with Louis Kahn. He has founded and taught at various institutions of planning and architecture like the School of Architecture & CEPT in Ahmedabad. Some of his renowned works are IIM Bangalore, CEPT University, Aranya housing project in Indore, ‘Amdavad ni Gufa’ which houses the late artist MF Husain’s paintings, along with Mr. Doshi’s own workplace ‘Sangath’, which is also a public space.
When architects design a building in our times, they share the plan of a proposed building and get the client to approve its design, based on which the building is then taken up for construction. But how do you design a building when your client is divine, or in the invisible?
As the summer months climax with the annual monsoons breathing fresh life into the soil, Nature renews her promise to every being in her domain. It is a promise of continuity, and as if by magic, life vibrantly awakes, and breaks into song, with every creature, every plant, and every spirit dancing together in unison.
This article is the result of a trip I recently made to Athens, Epidaurus, Olympia and Delphi. Walking through its stunning archaeology, pausing at monuments, and gazing spellbound at its sacred temples, I couldn’t help but ponder what might have inspired such a civilization.
Nursing at her bosom, Greece nurtured such an altitude of knowledge and amplitude of wisdom that it came to be called the cradle of Western Civilization. Herodotus, regarded as the Father of History, lived here. Solon envisioned the origins of Democracy here.
In Sophie’s World, Gaarder manages to skillfully weave together so many disparate genres that this successively dense, quirky, perplexing and illuminating novel defies even the most basic genre labelling. A comprehensive outline of Western philosophical thought that covers 2000 years from Socrates through Marx, Darwin, Freud and Sartre should deem it serious, scholarly and unequivocally non-fiction. Yet it is also a wondrous fictional fantasy about a 15-year old girl Sophie Amundsen and her search for eternal and universal truths that takes the form of a well-crafted mystery.
“Who were you that I lived with, walked with? The brother, the friend? Strife and love, darkness and light…are they workings of one mind, features of the same face? Oh my soul. Let me be in you now. Look out through my eyes. Look out at the things you made. All things shining.”
Padmashri Shekhar Sen, accomplished actor, singer, lyricist, and music director, is perhaps most celebrated for his unique mono-act theatrical renditions, through which he brings to life master poet-philosophers Tulisdas, Kabir, Surdas, and Vivekananda. Last February, New Acropolis (Mumbai) had the privilege to host an evening performance of a medley of Shekhar ji’s moving works. Ever since, I have been longing for an opportunity to unravel the man behind the masks. Seated on the cozy sofa of his Versova home, over a hot cup of masala tea, the opportunity presented itself. Delightedly looking back at his visit to the Centre he shares, “Any place I go that I sense is truly spiritual is very special for me. In a place like New Acropolis, where so much good is fostered, I just hoped to absorb some profound inspiration, like baby Krishna steals away butter!” Our conversation naturally arrived at unraveling the true role of an artist in society, and Shekhar ji playfully wove poetry and rhyme into his evocative explanations.
Amidst a series of mystical verses compiled in the Bhagavad Gita, this is one of the fundamental instructions that Krishna transmits to a distraught Arjuna, when faced with the prospect of killing his own cousins in the battlefield of Kurukshetra, in order to reinstate dharma in the kingdom.
As a student of Sri V Ganapati Sthapati, and then from her association to the School of Architecture of Madras University, for over 30 years Sashikala Ananth has been investigating the classical Indian science of architecture, known as Vaastu, combining both textual knowledge and practical field application. She has distilled her experience in her books that include The Penguin Guide to Vaastu and Pocket Book of Vaastu.